SPIDERMAN 3 - **1/2
This franchise is falling apart. Dammit.
TRANSFORMERS - ***
This franchise is off to a good start! Yippee! Hopefully Ben Affleck will show up eventually.
ZODIAC - ***
I liked it and looking forward to a screening of the Director's Cut - I'm not normally a fan of David Fincher but this one is solid filmmaking.
Sunday, November 11, 2007
Sunday, October 21, 2007
The Sunshine Boys - ***
This film is based on Neil Simon's Tony Award-nominated play and Director Herbert Ross wisely keeps the cinematic elements to a minimum and lets the script and actors do all the showcasing. Any overly artistic editing or camerawork would have distracted attention from star Walter Matthau, who demands your attention with every line, whether mumbled or shouted ("En-taaar!").
Walter Matthau had a run of great films in the mid 70's: The Taking of Pelham One Two Three, The Front Page, The Bad News Bears and The Sunshine Boys. He won the Golden Globe for Best Motion Picture Actor - Musical/Comedy for 'Sunshine,' his sixth nomination in that category between 1967 and 1975. This film also earned him a Lead Actor nomination for an Academy Award--his second in five years.
Surprisingly, it was his co-star George Burns who walked away with the Oscar for Supporting Actor, one I feel must have been more of a lifetime achievement award, as it was his only Oscar nomination (and first film role since 1939!). It's interesting to note that it was fellow co-star Richard Benjamin who won the Golden Globe as Supporting Actor for this film while Burns wasn't even nominated!
Three award-winning performances in a film mainly about three people; two has-been vaudevillian comedians who worked together for 43 years and now can't stand each other and a newphew/manager depserately trying to give them one more opportunity to shine.
A truly outstanding film, updated for a TV verison in 1995 starring Woody Allan and Peter Faulk and probably will be done again in 30 years with Adam Sandler and Tony Shaloub.
Sweet.
Walter Matthau had a run of great films in the mid 70's: The Taking of Pelham One Two Three, The Front Page, The Bad News Bears and The Sunshine Boys. He won the Golden Globe for Best Motion Picture Actor - Musical/Comedy for 'Sunshine,' his sixth nomination in that category between 1967 and 1975. This film also earned him a Lead Actor nomination for an Academy Award--his second in five years.
Surprisingly, it was his co-star George Burns who walked away with the Oscar for Supporting Actor, one I feel must have been more of a lifetime achievement award, as it was his only Oscar nomination (and first film role since 1939!). It's interesting to note that it was fellow co-star Richard Benjamin who won the Golden Globe as Supporting Actor for this film while Burns wasn't even nominated!
Three award-winning performances in a film mainly about three people; two has-been vaudevillian comedians who worked together for 43 years and now can't stand each other and a newphew/manager depserately trying to give them one more opportunity to shine.
A truly outstanding film, updated for a TV verison in 1995 starring Woody Allan and Peter Faulk and probably will be done again in 30 years with Adam Sandler and Tony Shaloub.
Sweet.
Tuesday, July 31, 2007
Because I Said So / Scoop / The Break-Up
"Because I Said So"
Is this really an insight into women? It was written by two women so it can't claim to be a movie about women but written by a man. Directed by a man, sure, but after screening the bonus features it was pretty clear he was heavily influenced by the creative control of the women writers, actors, caterer's and costumer's. Overall, I was pretty apalled at the behaviour of Milly (Mandy Moore) by the way she teetered between the two men and used them. Now, before you claim I'm sexist and had the genders been reversed it would have been acceptible, I have to disagree. Maybe I'm getting old, but treating the men the way she did is just wrong.
Her character is one frosted layer after layer of crazy. I saw several common traits in her which were reasons I've ended some of my relationships. Obviously this wackiness was inherited from her mother, Daphne (Diane Keaton), and it's easy for me to see why her husband left her, if she's consistently behaved this way. Or was his leaving the reason for her over-the-top behavoir? It's never explained in the film or deleted scenes, which is poor writing. I do give credit to the script for having Gabriel's wife leave him and their son because she "couldn't handle it" instead of him being a widower.
Also, what a waste of Lauren Graham and Piper Perabo (don’t judge her on Coyote Ugly, check out Lost and Delirious). As film about women, i.e., one that prides itself in being about mothers and daughters and sisters, it's emphasis on just two of the four doesn't seem to make sense. I certainly can't blame either of these two actresses to take these roles when given the chance to work with Diane Keaton, but any good director would know to utilize talent when presented to them.
"Scoop" I hate to use the term "classic Woody Allen" because it's been a long time since I've seen any of his great films, but this one felt very comfortable to me as a Woody Allen film. The story is simple, has a few clever Allen quips (some seem dated, like they were leftovers from previous work) and performances are adeuquate, yet extremely one-note. There are no surprises.
As much as I like her screen presence, I think Scarlett Johansson is miscast here. It's not that she doesn't play the bumbling student nerd well, but it just never sat right with me. Her delivery came across like she was improvising dialogue with long stammers (I think she was doing a female Woody Allen w/o the quips) and it just got boring quick. However, from a writing standpoint, it's a fresh choice for her not to be a golddigger because she's trying to seduce a rich and prominent man (Hugh Jackman) but she's doing it for a story and subsequently genuinely falls for him, without a change in her behaviour.
Forgetable, perhaps, considering Woody Allen's large body of work, but enjoyable.
"The Break-Up" I borderline liked this film overall, however I believe I would like it much more as a play because a live audience would help find the right peaks and valley's in both the script and performances and attain a greater balance in both.
The performances and script seemed a bit off-balanced, seeming to go to the left and then to the right without going to extremes like it couldn't find the right tone, yet somehow came across as very real. In particular, the arguement that initializes the break-up at the beginning was very well written and performed but then the attempted comedic elements that follow are never that funny to balance out the drama that came before it. As a result, the film as a comedy (especially if it was trying for Black Comedy) falls flat compared to it's dramatic elements, and as a drama it never finds the comic relief it needs to sustain our emotional connection to it's characters. "The War of the Roses" did it much, much better.
I did absolutely love Peter Billingsly in this film and wish to heaven he'll want to act more in the future. He looks like a cross between Barney Rubble and Jeff Bridges and got more laughs from me with his two scenes than the entire film did. Also, Vincent D'Onofrio was fantastic as the older brother in charge of the family business. He had only a few scenes, but I would watch a while film about what his life must be like.
Apparently I need therapy to work on my issues with women, considering my review of 'Because I Said So' and this one, but I just couldn't understand the measures Brooke (Jennifer Aniston) went to in order to save their relationship. To me, it's like blowing up your car to save on car insurance or setting fire to your house to lower the heating bill. I do understand her reasons for wanting a change in their relationship, but her methods left me perplexed. I'm reaching the age of "confirmed bachelor" and it keeps me awake some nights, but given the options of dealing with characters like women in these aforementioned films, I really don't see a choice.
And please don't give me the arguement about how these women are characters in a movie and real people don't behave this way. I have plenty of examples to back up my opinion.
Is this really an insight into women? It was written by two women so it can't claim to be a movie about women but written by a man. Directed by a man, sure, but after screening the bonus features it was pretty clear he was heavily influenced by the creative control of the women writers, actors, caterer's and costumer's. Overall, I was pretty apalled at the behaviour of Milly (Mandy Moore) by the way she teetered between the two men and used them. Now, before you claim I'm sexist and had the genders been reversed it would have been acceptible, I have to disagree. Maybe I'm getting old, but treating the men the way she did is just wrong.
Her character is one frosted layer after layer of crazy. I saw several common traits in her which were reasons I've ended some of my relationships. Obviously this wackiness was inherited from her mother, Daphne (Diane Keaton), and it's easy for me to see why her husband left her, if she's consistently behaved this way. Or was his leaving the reason for her over-the-top behavoir? It's never explained in the film or deleted scenes, which is poor writing. I do give credit to the script for having Gabriel's wife leave him and their son because she "couldn't handle it" instead of him being a widower.
Also, what a waste of Lauren Graham and Piper Perabo (don’t judge her on Coyote Ugly, check out Lost and Delirious). As film about women, i.e., one that prides itself in being about mothers and daughters and sisters, it's emphasis on just two of the four doesn't seem to make sense. I certainly can't blame either of these two actresses to take these roles when given the chance to work with Diane Keaton, but any good director would know to utilize talent when presented to them.
"Scoop" I hate to use the term "classic Woody Allen" because it's been a long time since I've seen any of his great films, but this one felt very comfortable to me as a Woody Allen film. The story is simple, has a few clever Allen quips (some seem dated, like they were leftovers from previous work) and performances are adeuquate, yet extremely one-note. There are no surprises.
As much as I like her screen presence, I think Scarlett Johansson is miscast here. It's not that she doesn't play the bumbling student nerd well, but it just never sat right with me. Her delivery came across like she was improvising dialogue with long stammers (I think she was doing a female Woody Allen w/o the quips) and it just got boring quick. However, from a writing standpoint, it's a fresh choice for her not to be a golddigger because she's trying to seduce a rich and prominent man (Hugh Jackman) but she's doing it for a story and subsequently genuinely falls for him, without a change in her behaviour.
Forgetable, perhaps, considering Woody Allen's large body of work, but enjoyable.
"The Break-Up" I borderline liked this film overall, however I believe I would like it much more as a play because a live audience would help find the right peaks and valley's in both the script and performances and attain a greater balance in both.
The performances and script seemed a bit off-balanced, seeming to go to the left and then to the right without going to extremes like it couldn't find the right tone, yet somehow came across as very real. In particular, the arguement that initializes the break-up at the beginning was very well written and performed but then the attempted comedic elements that follow are never that funny to balance out the drama that came before it. As a result, the film as a comedy (especially if it was trying for Black Comedy) falls flat compared to it's dramatic elements, and as a drama it never finds the comic relief it needs to sustain our emotional connection to it's characters. "The War of the Roses" did it much, much better.
I did absolutely love Peter Billingsly in this film and wish to heaven he'll want to act more in the future. He looks like a cross between Barney Rubble and Jeff Bridges and got more laughs from me with his two scenes than the entire film did. Also, Vincent D'Onofrio was fantastic as the older brother in charge of the family business. He had only a few scenes, but I would watch a while film about what his life must be like.
Apparently I need therapy to work on my issues with women, considering my review of 'Because I Said So' and this one, but I just couldn't understand the measures Brooke (Jennifer Aniston) went to in order to save their relationship. To me, it's like blowing up your car to save on car insurance or setting fire to your house to lower the heating bill. I do understand her reasons for wanting a change in their relationship, but her methods left me perplexed. I'm reaching the age of "confirmed bachelor" and it keeps me awake some nights, but given the options of dealing with characters like women in these aforementioned films, I really don't see a choice.
And please don't give me the arguement about how these women are characters in a movie and real people don't behave this way. I have plenty of examples to back up my opinion.
Thursday, July 26, 2007
Wednesday, July 25, 2007
Ghost Rider / The Black Dahlia
Loved “Ghost Rider” – easily the loudest movie I’ve ever screened at my house. Far more ‘spooky’ than I thought it would be and Nic Cage really plays the character well. Watching this film and “The Family Man” so close together really emphasized how great and underrated an actor he is. He’s made some poor, poor choices the post Oscar-win, but also has some great roles mixed in. I could easily envision a film class based on his films.
“The Black Dahlia” was bo-ring, but really well executed and produced; difficult to explain, but if you ever watch it, make sure you screen the ‘making of’ documentaries on the disc. They made my respect for the film go up, and maybe I’d screen it again if I ever read the book. I’m just not a Brian de Palma fan and can’t really explain why. I liked Aaron Eckhart but the rest of the film was way miscast, esp. Hillary Swank. I must admit, I didn’t hate Josh Hartnett. Does he have a future as an actor I will like? Maybe “Hollywood Homicide” will sway the decision as it’s on my list (the only recent Harrison Ford film I haven’t seen).
The biggest surprise was Mia Kirshner. She had very little screen time but really brought the character of murder victim Elizabeth Short to life. She’s been around a long time and I know I’ve seen her in some other things (“24” is the only recent thing I’ve seen her do) but I’d like to view a few more things to see how great she is.
Tonight, if I get time, I’m doing “Lady in the Water” which, honestly, I’m not really looking forward to but need to see as part of M. Night’s body of work. And really, for Paul Giamatti.
“The Black Dahlia” was bo-ring, but really well executed and produced; difficult to explain, but if you ever watch it, make sure you screen the ‘making of’ documentaries on the disc. They made my respect for the film go up, and maybe I’d screen it again if I ever read the book. I’m just not a Brian de Palma fan and can’t really explain why. I liked Aaron Eckhart but the rest of the film was way miscast, esp. Hillary Swank. I must admit, I didn’t hate Josh Hartnett. Does he have a future as an actor I will like? Maybe “Hollywood Homicide” will sway the decision as it’s on my list (the only recent Harrison Ford film I haven’t seen).
The biggest surprise was Mia Kirshner. She had very little screen time but really brought the character of murder victim Elizabeth Short to life. She’s been around a long time and I know I’ve seen her in some other things (“24” is the only recent thing I’ve seen her do) but I’d like to view a few more things to see how great she is.
Tonight, if I get time, I’m doing “Lady in the Water” which, honestly, I’m not really looking forward to but need to see as part of M. Night’s body of work. And really, for Paul Giamatti.
Tuesday, July 24, 2007
The Family Man / Ever After
Watched “The Family Man” and “Ever After” last night and absolutely adored them both.
"The Family Man" - Was *really* surprised by this film – Nic Cage and Tea Leoni are fantastic in parts that aren’t badly written, but they add so much to the roles in their lightly sprinkled subtle gestures and unexpected (i.e., non-cliché) reactions to situations and events. Worth another look if you saw it during its initial release in 2000 as your interpretation may be different now. Well done Brett Ratner, I may have to re-think mocking him, as I guess I sorta seem to like his films. Dammit!
“Ever After” - I’ve heard from several people that this was an above average film, which is surprising given the trailer had techno music throughout and must have tried to grab the “Romeo & Juliet” audience. Ignore the trailer… it’s doesn’t have the dialogue of “Shakespeare in Love” but it does have the same sweet romantic flair and a gorgeous score by George Fenton (check out other films he’s scored – he’s really underrated!).
"The Family Man" - Was *really* surprised by this film – Nic Cage and Tea Leoni are fantastic in parts that aren’t badly written, but they add so much to the roles in their lightly sprinkled subtle gestures and unexpected (i.e., non-cliché) reactions to situations and events. Worth another look if you saw it during its initial release in 2000 as your interpretation may be different now. Well done Brett Ratner, I may have to re-think mocking him, as I guess I sorta seem to like his films. Dammit!
“Ever After” - I’ve heard from several people that this was an above average film, which is surprising given the trailer had techno music throughout and must have tried to grab the “Romeo & Juliet” audience. Ignore the trailer… it’s doesn’t have the dialogue of “Shakespeare in Love” but it does have the same sweet romantic flair and a gorgeous score by George Fenton (check out other films he’s scored – he’s really underrated!).
Thursday, July 12, 2007
“Lord of War”
I liked this movie, however, in case you haven’t seen it or only saw it on DVD, the transfer of the film in this format is presented in 1:85, however, when the film was shot and shown in theaters the aspect ratio is 2:35:1. That said, this transfer annoyed the *bejeezus* out of me. It wasn’t bad like pan & scan, but just seemed like all the shots were cramped.
If a correct transfer comes out, I highly recommend this film. If not, and you’re in the mood for a good Nic Cage movie rent this.
“Firewall”
If you liked “Air Force One” you’ll like this. You might like it better if you’re over 60. Solid, well-made film that will be lost in shuffle of Ford's films during any tribute. If you’re a fan of Harrison Ford, Paul Bettany, and/or Virginia Madsen it’s worth the 2 hours just to see it as part of his body of work.
I liked this movie, however, in case you haven’t seen it or only saw it on DVD, the transfer of the film in this format is presented in 1:85, however, when the film was shot and shown in theaters the aspect ratio is 2:35:1. That said, this transfer annoyed the *bejeezus* out of me. It wasn’t bad like pan & scan, but just seemed like all the shots were cramped.
If a correct transfer comes out, I highly recommend this film. If not, and you’re in the mood for a good Nic Cage movie rent this.
“Firewall”
If you liked “Air Force One” you’ll like this. You might like it better if you’re over 60. Solid, well-made film that will be lost in shuffle of Ford's films during any tribute. If you’re a fan of Harrison Ford, Paul Bettany, and/or Virginia Madsen it’s worth the 2 hours just to see it as part of his body of work.
Tuesday, July 10, 2007
The Island / Kiss Kiss Bang Bang / Tenacious D in: The Pick of Destiny
"The Island" ** - If I were to have $100 million dollars and want to produce an action film, I'd hire Michale Bay. To be my stunt coordinator, not director. I truly believe the man has a gift for action sequences, but gets far too caught up in them and ignores, what I feel to be crucial, narrative and characters. I don't know if he chooses films with poor dialogue or changes them to his liking once hired but something is wrong when I film can look so good and sound so bad.
Were the $100 million dream come true, I'd most certainly hire Scarlett Johansson to do... something, even if it's just to be there and talk.
"Kiss Kiss Bang Bang" *** - I wish I'd made notes during or at least right after this screening. Regardless, Writer/Director Shane Black is something I will most definitely be watching in the future. He wrote the first Lethal Weapon script, The Last Boy Scout, The Last Action Hero (which I like to believe was written for Willis) and The Long Kiss Goodnight. I don't remember The Last Action Hero being all that well written, but I did like the concept and I feel The Long Kiss Goodnight is highly underrated. I may need to screen that again soon. Anyway, The cast is great, the story interesting and the dialogue fantastic.
"Tenacious D in: The Pick of Destiny" **1/2 - If you're a fan, it's worth seeing. If you're not familiar with their music but like Jack Black, then it's a must see as you get to witness why he became famous in the first place. Kyle Gass is still my personal fave as I think he has great comedic skills that are so overshadowed by Black. I felt the songs were good but didn't seem like a good listen outside of the film. I wish I could have seen them live 10 years ago.
Were the $100 million dream come true, I'd most certainly hire Scarlett Johansson to do... something, even if it's just to be there and talk.
"Kiss Kiss Bang Bang" *** - I wish I'd made notes during or at least right after this screening. Regardless, Writer/Director Shane Black is something I will most definitely be watching in the future. He wrote the first Lethal Weapon script, The Last Boy Scout, The Last Action Hero (which I like to believe was written for Willis) and The Long Kiss Goodnight. I don't remember The Last Action Hero being all that well written, but I did like the concept and I feel The Long Kiss Goodnight is highly underrated. I may need to screen that again soon. Anyway, The cast is great, the story interesting and the dialogue fantastic.
"Tenacious D in: The Pick of Destiny" **1/2 - If you're a fan, it's worth seeing. If you're not familiar with their music but like Jack Black, then it's a must see as you get to witness why he became famous in the first place. Kyle Gass is still my personal fave as I think he has great comedic skills that are so overshadowed by Black. I felt the songs were good but didn't seem like a good listen outside of the film. I wish I could have seen them live 10 years ago.
Wednesday, June 27, 2007
The Believer / Red Eye
The Believer - ***
A must-see if you like Ryan Gosling. Fantastic performance; one of his many.
Red Eye - **1/2
Speaking of Ryan Gosling, his equal counterpart on-screen, and sometimes off, Rachel McAdams, does her best in this solid Wes Craven thriller with an "as always" creepy Cillian Murphy.
A must-see if you like Ryan Gosling. Fantastic performance; one of his many.
Red Eye - **1/2
Speaking of Ryan Gosling, his equal counterpart on-screen, and sometimes off, Rachel McAdams, does her best in this solid Wes Craven thriller with an "as always" creepy Cillian Murphy.
Tuesday, June 26, 2007
The Devil Wears Prada / The Notebook / Happy Feet / Pan's Labyrinth
The Devil Wears Prada **1/2 - A bit long, Meryl is terrific but I question the 3rd act’s morally reprehensible behavior by our main character. Didn’t agree with all the attention Emily Blunt was given (however, I did like her and look forward to seeing more of her work), but perhaps had I seen it before the hype I’d feel different. Such is the burden when seeing films *way* after they've been released.
The Notebook ***1/2 - In spite of myself I absolutely love this film. Rachel McAdams is fantastic and I will seek out more of her work. Gorgeous score by Aaron Zigman.
Happy Feet ** - So didn’t deserve a Best Animanted Film Oscar – Monster House and Cars were each twice as good. I found it long and boring.
Pan’s Labyrinth **1/2 - I wish I had seen this before the hype. I liked its visuals and story, but it seemed slow and not in that savory good way. I wanted more mysticism and fantasy to balance out the war story, but maybe on a second viewing I’ll appreciate it more.
The Notebook ***1/2 - In spite of myself I absolutely love this film. Rachel McAdams is fantastic and I will seek out more of her work. Gorgeous score by Aaron Zigman.
Happy Feet ** - So didn’t deserve a Best Animanted Film Oscar – Monster House and Cars were each twice as good. I found it long and boring.
Pan’s Labyrinth **1/2 - I wish I had seen this before the hype. I liked its visuals and story, but it seemed slow and not in that savory good way. I wanted more mysticism and fantasy to balance out the war story, but maybe on a second viewing I’ll appreciate it more.
Monday, June 25, 2007
In order to catch up on my reviews, I'm going to post past screenings in "list form" and hopefully get back to actually reviewing them so keep checking back!
March 24, 2003
March 24, 2003
March 25, 2003
- The Ring
- 8 Mile
- Moonlight Mile
- One Hour Photo
- About A Boy
- Possesion
- Kissing Jessica Stein
March 27, 2003
- Ice Age
- Unfaithful
- K-19: The Widowmaker
- Maid in Manhattan
- Auto Focus
- Death to Smoochy
- Knockaround Guys
- Sweet Home Alabama
April 1, 2003
- Mr. Deeds
- Igby Goes Down
- Secretary
- Roger Dodger
- Far From Heaven
- Red Dragon
June 8, 2003
- Lilo & Stitch
- The Recruit
- About Schmidt
- Comedian
- Femme Fatale
- Two Weeks Notice
June 15, 2003
- The Good Girl
- 25th Hour
- The Pianist
- Love Liza
- Frida
- The Animatrix
June 6, 2003
- Punch Drunk Love
- Spy Kids
- The Sidewalks of New York
- Tears of the Sun
- 25th Hour (must have not finished it)
- The Transporter
July 3, 2003
- A Shot in the Dark
- Sweet Charity
- The Dish
- Someone Like You
- The Hours
- Ghost World
July 7, 2003
- The Importance of Being Earnest
- Barbershop
- Full Frontal
- Max
- Time Bandits
- Rashomon
July 24, 2003
- S.O.B.
- Lone Star
- Dark Blue
August 5, 2003
- Nixon
- Spider
August 7, 2003
- The Gangs of New York
- Phone Booth
- The Magnificent Seven
August 10, 2003
- Rio Bravo
- What A Girl Wants
- NIcholas Nickleby
August 12, 2003
- The Wild Bunch
- 100 Women
- Midnight Cowboy
August 14, 2003
- Enigma
- Rabbit Proof Fence
- Narc
- For Love of the Game
August 21, 2003
- Collateral Damage
- The Russians are Coming, The Russians are Coming!
- Vulgar
- The Gangs of New York (didn't finish from earlier rental)
________________________________________
April 2, 2004
- The Matrix: Revolutions
- 21 Grams
- House of Sand and Fog
- 28 Days Later
________________________________________
There is a huge gap between April '04 and Febrauary '05 as that's when I bought my video projector and basically re-watched everything I owned on the big screen.
___________________________________________
February 1, 2005
- Chris Rock: Never Scared
- I'm the One That I Want
- Notorious C.H.O.
Febryary 2, 2005
- Vagina Monologues
- The Blue Collar Comedy Tour
February 16, 2005
- Ali
- A Chorus Line
May 27, 2005
- The Phantom of the Opera
- Bye, Bye, Birdy
- Evita
May 28, 2005
- Random Hearts
- JFK
- Fargo
*Thank you Odyssey Video for 9 great years of renting!
November 29, 2005
- Stealth
- March of the Penguins
- Madagascar
December 8, 2005
- Star Wars Episode III: Revenge of the Sith
- The Polar Express
- Cinderella Man
- Sky High (didn't finish as DVD was defective)
________________________________________
January 24, 2006
- Lost - Season 1 (discs 1-2)
January 26, 2006
- Lost - Season 1 (discs 3-6)
February 2, 2006
- Mr. & Mrs. Smith
- Junebug
- The Aristocrats
- Tim Burton's The Corpse Bride
- The Fantastic Four
- Four Brothers
February 21, 2006
- Waiting
- Wallace & Gromit: Curse of the Wererabbit
- Rent
- Serenity
- The Exorcism of Emily Rose
May 4, 2006
- Shopgirl
- The Squid and the Whale
- A History of Violence
May 9, 2006
- Chicken Little
- Hustle and Flow
- Flight Plan
May 11, 2006
- Nanny McPhee
- Gattica
- Legend
May 16, 2006
- The Ice Harvest
- The Producers
- Nanny McPhee (didn't finish from earlier rental)
August 10, 2006
- Running Scared
- Underworld: Evolution
- V For Vendetta
- Rent
September 19, 2006
- Battlestar Galactica (1st season?)
September 26, 2006
- Battlestar Galactica (2nd season?)
October 3, 2006
- Battlestar Galactica (no idea)
October 17, 2006
- Thank You for Smoking
- Game 6
November 7, 2006
- Click
- Over the Hedge
December 5, 2006
- Cars
- Monster House
__________________________________________
May 8, 2007
- Talladega Nights: The Ballad of Ricky Bobby
- The Prestige
May 15, 2007
- Night at the Museum
- Children of Men
- The Prestige (didn't finish from earlier rental)
May 29, 2007
- The Painted Veil
- The Fountain
June 19, 2007
- The Notebook
- Pan's Labyrinth
- The Devil Wears Prada
- Happy Feet
None of the above includes any of the Netflixing I've done for the past 4 years. Those rentals were mostly TV shows and convinced me very early that if you're a television addict like I am, knocking out a season in a week is the way to go. When I figure out how to export my rental history, I'll post it here. Thanks for reading!
Wednesday, January 25, 2006
Lost - Season 1 / Meatloaf - Bat out of Hell
LOST - SEASON 1 - ***
Highly recommend. The 2-hour pilot looks like a feature and would probably have done well on it's own, a la the way Twin Peaks released it's pilot overseas with a tacked on ending.
MEATLOAF: BAT OUT OF HELL - ***
This isn't really a "behind the music" productions, but more of a look back at the impact the album had minus all the drama. The really interesting part is when producer Todd Rundgren fades in and out on some tracks and allows the listening to hear just how layered some of the songs were. Meatloaf does the same himself but mostly just sings over stuff, which became annoying. I would really be interested in a version of this album sans vocals to allow Jim Steinman's score to come through.
Thursday, December 08, 2005
Star Wars Episode III: Revenge of the Sith / The Polar Express / Cinderella Man / Sky High
STAR WARS - EPISODE III: REVENGE OF THE SITH - ***
THE POLAR EXPRESS - ***
CINDERELLA MAN - **1/2
SKY HIGH - The DVD I rented was bad so I never finished, but I remember liking it more than I thought I would.. will definitely have to re-rent or Netflix soon.
THE POLAR EXPRESS - ***
CINDERELLA MAN - **1/2
SKY HIGH - The DVD I rented was bad so I never finished, but I remember liking it more than I thought I would.. will definitely have to re-rent or Netflix soon.
Tuesday, November 29, 2005
Tuesday, October 25, 2005
I would like to comment on how scripted television is making a comeback and thankfully reality shows are being pushed back to cable networks where they belong.
here's some shows I'm watching and I hope you will give a chance to in the near future:
Invasion - Has a twin peaks/x-files thing going for it, but w/o the atmosphere or camp.
How I Met Your Mother - Neil Patrick Harris is great. No, really.
Prison Break - (aka Oz Light) has a "24" pacing to it and good performances. The writing, however...
Smallville - seriously, the new Buffy, it's that good since last season.
Threshold - good performances, but doing that villian-of-the-week thing, but it's the same villian, an alien in a human body... getting old quickly. The cast deserves a better show, but I'm rooting for it!
Ghost Whisperer - a guilty pleasure as I normally vomit at this type of CBS crap, but I like it.. I really like it!
Arrested Development - still genius... stupid baseball making it go on hiatus all October.
Scrubs - stupid NBC waiting forever to start airing season 5 which was supposed to be this month, but it's still not on the schedule - show some respect! I guess they don't feel the need to air a show starring Zach Braff, oh... who happens to be voicing the main character in Disney's Chicken Little opening next week. But why would they want to promote a show who's cast member is involved in one of the most anticipated films of the holiday season?
My Name is Earl - Good. Not great, but good. Was hoping for better, but solid. That mustache has got to go. On another other actor playing the part it'd be fine, I get that it's perfect for the character, but Jason Lee has that smile that's literally 1 in a million... why cover it up? Why not put Pamela Anderson on ths show wearing nothing but baggy sweat pants and heavy sweatshirts? Jamie Pressly is spot-on as Earl's trailer park white trash ex-wife. A real breakthrough performance.
here's some shows I'm watching and I hope you will give a chance to in the near future:
Invasion - Has a twin peaks/x-files thing going for it, but w/o the atmosphere or camp.
How I Met Your Mother - Neil Patrick Harris is great. No, really.
Prison Break - (aka Oz Light) has a "24" pacing to it and good performances. The writing, however...
Smallville - seriously, the new Buffy, it's that good since last season.
Threshold - good performances, but doing that villian-of-the-week thing, but it's the same villian, an alien in a human body... getting old quickly. The cast deserves a better show, but I'm rooting for it!
Ghost Whisperer - a guilty pleasure as I normally vomit at this type of CBS crap, but I like it.. I really like it!
Arrested Development - still genius... stupid baseball making it go on hiatus all October.
Scrubs - stupid NBC waiting forever to start airing season 5 which was supposed to be this month, but it's still not on the schedule - show some respect! I guess they don't feel the need to air a show starring Zach Braff, oh... who happens to be voicing the main character in Disney's Chicken Little opening next week. But why would they want to promote a show who's cast member is involved in one of the most anticipated films of the holiday season?
My Name is Earl - Good. Not great, but good. Was hoping for better, but solid. That mustache has got to go. On another other actor playing the part it'd be fine, I get that it's perfect for the character, but Jason Lee has that smile that's literally 1 in a million... why cover it up? Why not put Pamela Anderson on ths show wearing nothing but baggy sweat pants and heavy sweatshirts? Jamie Pressly is spot-on as Earl's trailer park white trash ex-wife. A real breakthrough performance.
Sunday, June 12, 2005
MAY SCREENINGS:
The Life Acquatic With Steve Zissou - **1/2 A bit disappointing as I'm a big fan of director Wes Anderson. Without Bill Murray, the film would have been much worse.
Team America - *** It runs long at 82 minutes, or maybe I'm just not a wooden puppet kind of person, but the songs are tremendously entertaining as is Trey Parker doing Kim Jong Il. It's easy to overlook the incredible work put into this film so I give it a high rating based on it's production values.
King Arthur - **1/2 What could have been a fascinating film about King Arthur without all the fairy-tale atmosphere turns into a wanna-be Braveheart. The cast does well, but an empahsis on battles and gore turn this into a USA Up All Night film.
National Treasure - * Nicholas Cage is Indiana Jones, sans the fedora hat, charm, wit, intelligence, et al. This high-concept film was probably thought up over a lunch and the script written over a weekend retreat. Absolute drivel and not even worth the time to watch with friends and make fun of it.
Oceans Twelve - **1/2 Why was Bernie Mac even brought back? He had like 2 scenes. What a waste. Other than that, everyone looks like they had fun making this and I had fun watching it-once. As a sidenote, Catherine Zeta Jones looks better with every film she does, how is that possible?
The Life Acquatic With Steve Zissou - **1/2 A bit disappointing as I'm a big fan of director Wes Anderson. Without Bill Murray, the film would have been much worse.
Team America - *** It runs long at 82 minutes, or maybe I'm just not a wooden puppet kind of person, but the songs are tremendously entertaining as is Trey Parker doing Kim Jong Il. It's easy to overlook the incredible work put into this film so I give it a high rating based on it's production values.
King Arthur - **1/2 What could have been a fascinating film about King Arthur without all the fairy-tale atmosphere turns into a wanna-be Braveheart. The cast does well, but an empahsis on battles and gore turn this into a USA Up All Night film.
National Treasure - * Nicholas Cage is Indiana Jones, sans the fedora hat, charm, wit, intelligence, et al. This high-concept film was probably thought up over a lunch and the script written over a weekend retreat. Absolute drivel and not even worth the time to watch with friends and make fun of it.
Oceans Twelve - **1/2 Why was Bernie Mac even brought back? He had like 2 scenes. What a waste. Other than that, everyone looks like they had fun making this and I had fun watching it-once. As a sidenote, Catherine Zeta Jones looks better with every film she does, how is that possible?
APRIL SCREENINGS
Publisher's Note: These films were screened in April, it's now mid-June; I've got to learn to take notes during my screenings...
Alfie - **1/2 This remake with Jude Law in the title role is a tamer version than it's original predecessor with Michael Cane. I remember little of this film other than another good, not great, performance by Jude Law. I mostly watched it because Jane Karakowski had a (too) small role. Better than most playboy-searching-for-themselves-fighting-adulthood-while-having-sex-with-lots-of-gorgeous-women movies.
Bridge Jones: The Edge of Reason - * Horrible film. Just awful. The cast seemed to loathe every moment. If there's another Bridget Jones film with this cast, they were obviously brainwashed and/or aliens have taken over their body.
Closer - **** What a wonder this film is! Truly great performances by it's cast--yes, even Julia Roberts (though I'd have rather seen someone like Catherine Zeta Jones cast instead). I can't recommend this film enough.
Fat Albert - **1/2 A standard live-action verion of a famous cartoon with a little 80's John Hughes teen adolescence thrown in. I rewatched some of the original cartoons and they're much funnier. I do think that Kenan Thompson is pretty funny (and embarrassingly underused on SNL).
Ladder 49 - *** Wait, I liked a non-musical John Travolta movie not directed by Quentin Tarantino? Huh. This films follows the carreer of a young fireman (Juaquin Phoenix) and the dangers he faces everyday. A solid film.
Finding Neverland - ***1/2 A great film. A wonder to watch and I envy anyone with kids old enough to understand and enjoy this film. Destined to be a classic.
The Station Agent - *** This is how I remember "independant films" when screening them in college. Small budget, no plot, great performances. The kind of film that, when it's over, you miss the characters and the world they live in.
Spanglish - *** Pos Vega will be star, if nothing than for sure in my dreams. What a stunning find this girl is. Sandler's most subtle role since "Punch Drunk Love" and again proves he can handle drama. Tea Leoni is also great - why doesn't she act more? Not my favorite among James L. Brooks' films, but when your resume has "Broadcast News" and "As Good As It Gets" that's no small accomplishment.
The Blue Collar Comedy Tour - *** A guilty pleasure for anyone without a Master's Degree.
Friday Night Lights *** - Anyone involved in High School sports can identify with this film. It doesn't have the payoff "Rudy" or "Hoosiers" does, but a fine film about sports and the pressure put on kids to perform and how their life is affected long after they leave the field.
Sideways *** - See review for "The Station Agent" above. Another great performance by Paul Giamatti; you'll get the Oscar someday Paul, I can assure you.
Elektra ** - My expectations were high for this film as I had hand-picked Jennifer Garner to play Elektra in the Daredevil film, and I felt she wasn't given enough to do in that film to really show her stuff. In "Elektra" she brings her game, which I enjoy every week on "Alias", unfortunately, someone forgot to bring a script.
The Karate Kid Series:
The Karate Kid - ***1/2 Classic story, classic film, classic karate move.
The Karate Kid Part II - ** Remake of The Karate Kid, but in Japan.
The Karate Kid Part III - ** Remake of The Karate Kid Part II, but back in L.A.
The Next Karate Kid - ** Remake of... well, all of them, but this time with a girl and no Ralph Macchio.
Dirty Rotten Scoundrels - *** Not one of those "funny ha-ha" films, but you find yourself quoting it often. Now a Tony award winning musical! Really? Yes, really. What happened to Glenn Headly? Last I saw she was on ER...
Publisher's Note: These films were screened in April, it's now mid-June; I've got to learn to take notes during my screenings...
Alfie - **1/2 This remake with Jude Law in the title role is a tamer version than it's original predecessor with Michael Cane. I remember little of this film other than another good, not great, performance by Jude Law. I mostly watched it because Jane Karakowski had a (too) small role. Better than most playboy-searching-for-themselves-fighting-adulthood-while-having-sex-with-lots-of-gorgeous-women movies.
Bridge Jones: The Edge of Reason - * Horrible film. Just awful. The cast seemed to loathe every moment. If there's another Bridget Jones film with this cast, they were obviously brainwashed and/or aliens have taken over their body.
Closer - **** What a wonder this film is! Truly great performances by it's cast--yes, even Julia Roberts (though I'd have rather seen someone like Catherine Zeta Jones cast instead). I can't recommend this film enough.
Fat Albert - **1/2 A standard live-action verion of a famous cartoon with a little 80's John Hughes teen adolescence thrown in. I rewatched some of the original cartoons and they're much funnier. I do think that Kenan Thompson is pretty funny (and embarrassingly underused on SNL).
Ladder 49 - *** Wait, I liked a non-musical John Travolta movie not directed by Quentin Tarantino? Huh. This films follows the carreer of a young fireman (Juaquin Phoenix) and the dangers he faces everyday. A solid film.
Finding Neverland - ***1/2 A great film. A wonder to watch and I envy anyone with kids old enough to understand and enjoy this film. Destined to be a classic.
The Station Agent - *** This is how I remember "independant films" when screening them in college. Small budget, no plot, great performances. The kind of film that, when it's over, you miss the characters and the world they live in.
Spanglish - *** Pos Vega will be star, if nothing than for sure in my dreams. What a stunning find this girl is. Sandler's most subtle role since "Punch Drunk Love" and again proves he can handle drama. Tea Leoni is also great - why doesn't she act more? Not my favorite among James L. Brooks' films, but when your resume has "Broadcast News" and "As Good As It Gets" that's no small accomplishment.
The Blue Collar Comedy Tour - *** A guilty pleasure for anyone without a Master's Degree.
Friday Night Lights *** - Anyone involved in High School sports can identify with this film. It doesn't have the payoff "Rudy" or "Hoosiers" does, but a fine film about sports and the pressure put on kids to perform and how their life is affected long after they leave the field.
Sideways *** - See review for "The Station Agent" above. Another great performance by Paul Giamatti; you'll get the Oscar someday Paul, I can assure you.
Elektra ** - My expectations were high for this film as I had hand-picked Jennifer Garner to play Elektra in the Daredevil film, and I felt she wasn't given enough to do in that film to really show her stuff. In "Elektra" she brings her game, which I enjoy every week on "Alias", unfortunately, someone forgot to bring a script.
The Karate Kid Series:
The Karate Kid - ***1/2 Classic story, classic film, classic karate move.
The Karate Kid Part II - ** Remake of The Karate Kid, but in Japan.
The Karate Kid Part III - ** Remake of The Karate Kid Part II, but back in L.A.
The Next Karate Kid - ** Remake of... well, all of them, but this time with a girl and no Ralph Macchio.
Dirty Rotten Scoundrels - *** Not one of those "funny ha-ha" films, but you find yourself quoting it often. Now a Tony award winning musical! Really? Yes, really. What happened to Glenn Headly? Last I saw she was on ER...
Friday, March 18, 2005
March Screenings:
Newsies - ** Imagine an all boy-band version of Annie. Yeah, I didn't like it either.
Fiddler on the Roof - *** A bit long and not as originaly imagined as director Norman Jewison's "Jesus Christ Superstar" but a great musical and Topol does a fine job. As much as I liked the songs, I found they started to interrupt a good story after the first half-hour.
The Accidental Tourist - *** Fine, very subtle performances and an intelligent script adaptation by Frank Galati and director Lawrence Kasdan (based on Anny Tyler's book) make this a great film to absorb.
Underworld: Director's Cut - ** Visually I still like this film and Kate Beckinsale is stunningly beautiful in the costumes but it's just silly and not in that good way "The Mummy" is.
Chitty Chitty Bang Bang - *** Infectious songs by the Sherman Brothers and Dick Van Dyke make this an enjoyable family adventure film. Good visual effects for it's time.
The Chronicles of Riddick: Dark Fury - **1/2 No magic here, as this anime style focuses much more on visuals than plot. If you're a fan of anime and the Riddick story, it's worth a look, but if you're in the mood for good anime watch "Spirited Away", "Millenium Actress" or "Grave of the Fireflies."
Nine Months - **1/2 Decent enough effort from director Chris Columbus and it's a good Hugh Grant film. I re-watched it again because at the time of it's original release, Julianne Moore was becoming a favorite of mine after her impressive performance in "Short Cuts." Robin Williams has a great small cameo.
Van Wilder - *** I put off seeing this because, after 7 years in college, I was the *original* Van Wilder. For me this film gave me more nostaligia than laughs, but it's numerous funny performances keep the film entertaining. Beetlejuice - ***1/2 Still a favorite of mine. It holds up well after almost two decades.
The Breakfast Club - **** I watched this at least 100 times during high school and it's still great. Even contemporary "independent" films struggle to measure up. Sure this was a studio film, but John Hughes was wise enough to film it almost as a play and let the script and actors take the film where it needed to go.
The Cat's Meow - **1/2 Based on true events, this is Peter Bogdanovich's interpretation of a yacht voyage with famous figures and celebrities where a murder has occurred. The actors do their best to live up to the icons they're portraying especially Eddie Izzard and Kirstin Dunst. Additional credit should go to Izzard for playing Chaplin only a decade after Robert Downey's Oscar-nominated performance and making it distinguishable enough that I wasn't thinking of Downey the entire time. Good production and costume design.
Showgirls - 1/2 (as a film) **** (for camp value) I hadn't seen this film yet. I had no reason. I still had no reason to see it, but I did. It's so horribly wonderful. I now get the hand gesture Silent Bob gave to Jay in "Chasing Amy" after Silent Bob says he always wanted to be a dancer in Vegas.
Evolution - **1/2 Basically a remake of "Ghostbusters." Ivan Reitman must have reached the bottom of his barrell of tricks and only had enough left for a cameo by Dan Aykroyd. It has a DTS mix, Julianne Moore doing pratfalls, David Duchovny doing dry humor (which he's best at) and Sean William Scott (though not enough of him) so I was won over.
Flight of the Phoenix - *1/2 DTS mixes can get you only so far and even though the plane crash is impressively mixed, the film is ridiculous in the way it picks off it's cast members like a teen horror flick. Dennis Quaid is better than this.
Harold and Kumar Go To White Castle - *** Yes, I should have written this a long, long time ago. But I didn't. Yet, I can proudly admit I thought it was hilarious and everything a road movie aimed at stoned teens and twenty-somethings should be. Hope and Crosby would be proud.
Dodgeball - *** Some good laughs and would make a good double-feature with "Old School". I don't think I can get tired of Vince Vaughn doing this type of comedies. He's the new Bill Murray.
The Princess Bride - **** I've seen this at least 100 times and it just gets better. A perfect film, and I don't say that often.
The Forgotten - **1/2 My Julianne Moore film festival continued with this horror/sci-fi/thriller. As much as I had figured it out sooner than I wanted to, it was still impressivly done and with fine performances from the entire cast. Some refer to it as a "Sixth Sense" rip-off, but it deserves more credit than that. One of those "it would have made a good Twilight Zone episode" films.
The Exorcist: The Beginning - ** I'm waiting for the Paul Schrader version. This was only slightly above average of a teen horror film. I expect more from director Renny Harlin (Die Hard 2: Die Harder, The Adventures of Ford Fairlaine, The Long Kiss Goodnight) but I guess he's allowed a stinker or two. Of his work that I've seen ("Cutthroat Island" isn't one of them) this will count as his first for me.
Shaun of the Dead - *** Fantastic take on a zombie movie. I liked this better than my previous favorite zombie movie "28 Days Later" (both British... I sense a pattern) and "Resident Evil: Apocalypse" was gaining fast.
Newsies - ** Imagine an all boy-band version of Annie. Yeah, I didn't like it either.
Fiddler on the Roof - *** A bit long and not as originaly imagined as director Norman Jewison's "Jesus Christ Superstar" but a great musical and Topol does a fine job. As much as I liked the songs, I found they started to interrupt a good story after the first half-hour.
The Accidental Tourist - *** Fine, very subtle performances and an intelligent script adaptation by Frank Galati and director Lawrence Kasdan (based on Anny Tyler's book) make this a great film to absorb.
Underworld: Director's Cut - ** Visually I still like this film and Kate Beckinsale is stunningly beautiful in the costumes but it's just silly and not in that good way "The Mummy" is.
Chitty Chitty Bang Bang - *** Infectious songs by the Sherman Brothers and Dick Van Dyke make this an enjoyable family adventure film. Good visual effects for it's time.
The Chronicles of Riddick: Dark Fury - **1/2 No magic here, as this anime style focuses much more on visuals than plot. If you're a fan of anime and the Riddick story, it's worth a look, but if you're in the mood for good anime watch "Spirited Away", "Millenium Actress" or "Grave of the Fireflies."
Nine Months - **1/2 Decent enough effort from director Chris Columbus and it's a good Hugh Grant film. I re-watched it again because at the time of it's original release, Julianne Moore was becoming a favorite of mine after her impressive performance in "Short Cuts." Robin Williams has a great small cameo.
Van Wilder - *** I put off seeing this because, after 7 years in college, I was the *original* Van Wilder. For me this film gave me more nostaligia than laughs, but it's numerous funny performances keep the film entertaining. Beetlejuice - ***1/2 Still a favorite of mine. It holds up well after almost two decades.
The Breakfast Club - **** I watched this at least 100 times during high school and it's still great. Even contemporary "independent" films struggle to measure up. Sure this was a studio film, but John Hughes was wise enough to film it almost as a play and let the script and actors take the film where it needed to go.
The Cat's Meow - **1/2 Based on true events, this is Peter Bogdanovich's interpretation of a yacht voyage with famous figures and celebrities where a murder has occurred. The actors do their best to live up to the icons they're portraying especially Eddie Izzard and Kirstin Dunst. Additional credit should go to Izzard for playing Chaplin only a decade after Robert Downey's Oscar-nominated performance and making it distinguishable enough that I wasn't thinking of Downey the entire time. Good production and costume design.
Showgirls - 1/2 (as a film) **** (for camp value) I hadn't seen this film yet. I had no reason. I still had no reason to see it, but I did. It's so horribly wonderful. I now get the hand gesture Silent Bob gave to Jay in "Chasing Amy" after Silent Bob says he always wanted to be a dancer in Vegas.
Evolution - **1/2 Basically a remake of "Ghostbusters." Ivan Reitman must have reached the bottom of his barrell of tricks and only had enough left for a cameo by Dan Aykroyd. It has a DTS mix, Julianne Moore doing pratfalls, David Duchovny doing dry humor (which he's best at) and Sean William Scott (though not enough of him) so I was won over.
Flight of the Phoenix - *1/2 DTS mixes can get you only so far and even though the plane crash is impressively mixed, the film is ridiculous in the way it picks off it's cast members like a teen horror flick. Dennis Quaid is better than this.
Harold and Kumar Go To White Castle - *** Yes, I should have written this a long, long time ago. But I didn't. Yet, I can proudly admit I thought it was hilarious and everything a road movie aimed at stoned teens and twenty-somethings should be. Hope and Crosby would be proud.
Dodgeball - *** Some good laughs and would make a good double-feature with "Old School". I don't think I can get tired of Vince Vaughn doing this type of comedies. He's the new Bill Murray.
The Princess Bride - **** I've seen this at least 100 times and it just gets better. A perfect film, and I don't say that often.
The Forgotten - **1/2 My Julianne Moore film festival continued with this horror/sci-fi/thriller. As much as I had figured it out sooner than I wanted to, it was still impressivly done and with fine performances from the entire cast. Some refer to it as a "Sixth Sense" rip-off, but it deserves more credit than that. One of those "it would have made a good Twilight Zone episode" films.
The Exorcist: The Beginning - ** I'm waiting for the Paul Schrader version. This was only slightly above average of a teen horror film. I expect more from director Renny Harlin (Die Hard 2: Die Harder, The Adventures of Ford Fairlaine, The Long Kiss Goodnight) but I guess he's allowed a stinker or two. Of his work that I've seen ("Cutthroat Island" isn't one of them) this will count as his first for me.
Shaun of the Dead - *** Fantastic take on a zombie movie. I liked this better than my previous favorite zombie movie "28 Days Later" (both British... I sense a pattern) and "Resident Evil: Apocalypse" was gaining fast.
Sunday, February 20, 2005
February Screenings:
Shark Tale - **1/2 A decent animated comedy with an all-star cast. Personally, I don't think it deserved the Oscar nomination for Best Animated Feature over "The Polar Express." Time will tell which one we'll be referring to and enjoying 20 years from now.
Ray - ***1/2 Jamie Foxx deservedly won the Oscar for this powerhouse performance of the legendary pianist who changed not just rock-n-roll, but also set an industry standard by owning the masters to his own recordings. A wise man and talented man who struggled with demons throughout his career.
Chronicles of Riddick - **1/2 It could have been worse, right? Very visual but Riddick becomes more of the hero than the anti-hero he was in "Pitch Black" (which I highly recommend). If you're in the mood for sci-fi fluff, this is for you.
Jesus Christ Superstar - **** Fantastic interpretation of the famous rock opera. The print leaves something to be desired (especially a better print). Let's hope this can get some sort of special edition with a DTS soundtrack.
Deep Impact - *** No Bruce Willis or Ben Affleck (crying, as usual) but I'm a sucker for movies about asteroid's on a collision course with Earth and this is the adult version. And it has Lee Lee Sobieski (My Helen Hunt crush will live on in her for a long time)
The Village - ** Over the course of 4 films, M. Night went from overnight sensation to a one-trick pony. Easily the worst of his three films, and I've seen "Unbreakable" at least twice.
AVP: Alien Vs. Predator - **1/2 I expected much worse. It wanted to be "The Thing" (either version) so if that's what you want, rent "The Thing." Otherwise this is basically a live-action video game and you have no control over the plot. Like you care. Great production value shows the crew did their job, but as my friend Spencer put it, "it's a polished turd."
The Vagina Monologues - **1/2 Well written and performed. It's easy to see why every actress over 25 wanted a chance to perform this.
Road to Singapore/Zanzibar/Bali/Morocco/Utopia - **1/2 I'm sure they were much better when viewings were a couple years apart, but watching them back to back I lost a lot of that "here we go again..." feeling. Morocco was the first one I watched and stayed my favorite, although Bali was pretty good too.
Blue Collar Comedy Tour: The Movie - *** I didn't care for the series much, but this film has some genuine laughs.
Bill Maher: Victory Begins At Home - *** Bill likes to say what he hopes we're thinking, and usually succeeds, at least for me.
Trekkies 2 - *** It's hard to critique this as a film, when you sit there open-mouthed at the crazy antics of the Trekkers (they don't like to be referred to as Trekkies... that's right...)
And Starring Poncho Villa As Himself - *** Enjoyable movie with great production value. Eion Bailey could have a promising career; losing out to Christian Bale for the role of Batman isn't the best of luck, but it's an honor just to be considered, right?
Margaret Cho: I'm The One That I Want - *** An homage to the stand-up films of the 70's and 80's make this production worth watching, and I find Cho's humor interesting; especially the imiation of her mother.
Margaret Cho: Notorious C.H.O - ** repeating some of the first film's material doesn't help this video-taped version of Cho in concert. Looks like cable access.
Margaret Cho: CHO Revolution - **1/2 By the time this film was made Cho had become the new Cher to several in the gay community, but, like Cher, the diva seems to be more important than the artist.
I, Robot - **1/2 Enjoyable but not spectacular sci-fi film with Will Smith saving the world. Again. That's so '95.
De-Lovely - *** Highly entertaining film about the life of Cole Porter. Sort of a Moulin Rouge but a musical and set mostly in Paris in the early 1900's. Wait. No, that's right... Great production design, performances and, of course, music make this an underappreciated gem of 2004.
Sky Captain and the World Of Tomorrow - *** As an homage to the serial adventure's of the 30's and 40's this film succeeds on every level of production. Miscasting, however tempers the enjoyment. Were the lead an unknown and not Jude Law making his 4th or 5th film appearance in as many months, this film may have gotten more word of mouth and been more successful. Sadly, Law has expressed interest in turning it into a franshise. Maybe we could hope his role would be restricted to just a Producer. Overall, writer/director Kerry Conran's personal story about how this project got off the ground is a great inspirational story for any aspiring filmmaker.
Collateral - ***1/2 Outstanding film in every aspect. Too much to get into for this little blurb.
Garden State - *** Good performances but a loose script that ties seemingly random events together keep this from becoming "The Graduate" for a new generation. Or maybe I'm too old. Writer/Director and star Zach Braff (TV's Scrubs - my favorite show) wears too many hats for his debut, but shows promise nonetheless.
Shark Tale - **1/2 A decent animated comedy with an all-star cast. Personally, I don't think it deserved the Oscar nomination for Best Animated Feature over "The Polar Express." Time will tell which one we'll be referring to and enjoying 20 years from now.
Ray - ***1/2 Jamie Foxx deservedly won the Oscar for this powerhouse performance of the legendary pianist who changed not just rock-n-roll, but also set an industry standard by owning the masters to his own recordings. A wise man and talented man who struggled with demons throughout his career.
Chronicles of Riddick - **1/2 It could have been worse, right? Very visual but Riddick becomes more of the hero than the anti-hero he was in "Pitch Black" (which I highly recommend). If you're in the mood for sci-fi fluff, this is for you.
Jesus Christ Superstar - **** Fantastic interpretation of the famous rock opera. The print leaves something to be desired (especially a better print). Let's hope this can get some sort of special edition with a DTS soundtrack.
Deep Impact - *** No Bruce Willis or Ben Affleck (crying, as usual) but I'm a sucker for movies about asteroid's on a collision course with Earth and this is the adult version. And it has Lee Lee Sobieski (My Helen Hunt crush will live on in her for a long time)
The Village - ** Over the course of 4 films, M. Night went from overnight sensation to a one-trick pony. Easily the worst of his three films, and I've seen "Unbreakable" at least twice.
AVP: Alien Vs. Predator - **1/2 I expected much worse. It wanted to be "The Thing" (either version) so if that's what you want, rent "The Thing." Otherwise this is basically a live-action video game and you have no control over the plot. Like you care. Great production value shows the crew did their job, but as my friend Spencer put it, "it's a polished turd."
The Vagina Monologues - **1/2 Well written and performed. It's easy to see why every actress over 25 wanted a chance to perform this.
Road to Singapore/Zanzibar/Bali/Morocco/Utopia - **1/2 I'm sure they were much better when viewings were a couple years apart, but watching them back to back I lost a lot of that "here we go again..." feeling. Morocco was the first one I watched and stayed my favorite, although Bali was pretty good too.
Blue Collar Comedy Tour: The Movie - *** I didn't care for the series much, but this film has some genuine laughs.
Bill Maher: Victory Begins At Home - *** Bill likes to say what he hopes we're thinking, and usually succeeds, at least for me.
Trekkies 2 - *** It's hard to critique this as a film, when you sit there open-mouthed at the crazy antics of the Trekkers (they don't like to be referred to as Trekkies... that's right...)
And Starring Poncho Villa As Himself - *** Enjoyable movie with great production value. Eion Bailey could have a promising career; losing out to Christian Bale for the role of Batman isn't the best of luck, but it's an honor just to be considered, right?
Margaret Cho: I'm The One That I Want - *** An homage to the stand-up films of the 70's and 80's make this production worth watching, and I find Cho's humor interesting; especially the imiation of her mother.
Margaret Cho: Notorious C.H.O - ** repeating some of the first film's material doesn't help this video-taped version of Cho in concert. Looks like cable access.
Margaret Cho: CHO Revolution - **1/2 By the time this film was made Cho had become the new Cher to several in the gay community, but, like Cher, the diva seems to be more important than the artist.
I, Robot - **1/2 Enjoyable but not spectacular sci-fi film with Will Smith saving the world. Again. That's so '95.
De-Lovely - *** Highly entertaining film about the life of Cole Porter. Sort of a Moulin Rouge but a musical and set mostly in Paris in the early 1900's. Wait. No, that's right... Great production design, performances and, of course, music make this an underappreciated gem of 2004.
Sky Captain and the World Of Tomorrow - *** As an homage to the serial adventure's of the 30's and 40's this film succeeds on every level of production. Miscasting, however tempers the enjoyment. Were the lead an unknown and not Jude Law making his 4th or 5th film appearance in as many months, this film may have gotten more word of mouth and been more successful. Sadly, Law has expressed interest in turning it into a franshise. Maybe we could hope his role would be restricted to just a Producer. Overall, writer/director Kerry Conran's personal story about how this project got off the ground is a great inspirational story for any aspiring filmmaker.
Collateral - ***1/2 Outstanding film in every aspect. Too much to get into for this little blurb.
Garden State - *** Good performances but a loose script that ties seemingly random events together keep this from becoming "The Graduate" for a new generation. Or maybe I'm too old. Writer/Director and star Zach Braff (TV's Scrubs - my favorite show) wears too many hats for his debut, but shows promise nonetheless.
January Screenings:
Gilmore Girls - Season 2 - My new favorite show. Thanks Darcy! (and every gay guy I've ever talked to)
Taken - (Sci-Fi Channel mini-series) I hadn't much interest in this until I discovered that Dakota Fanning was involved. She's my favorite actress and it's *amazing* what this kid can do.
My TV schedule is getting full again with 24 and Alias back on the air. I also started watching Desperate Housewives and believe it's worth all the hype; a really great show. This isn't your mother's night-time soap opera! (Well, it kinda is, which is why it's good and with a very pretty cast)
I spent the rest of the month watching porn.
What. Shut up.
Gilmore Girls - Season 2 - My new favorite show. Thanks Darcy! (and every gay guy I've ever talked to)
Taken - (Sci-Fi Channel mini-series) I hadn't much interest in this until I discovered that Dakota Fanning was involved. She's my favorite actress and it's *amazing* what this kid can do.
My TV schedule is getting full again with 24 and Alias back on the air. I also started watching Desperate Housewives and believe it's worth all the hype; a really great show. This isn't your mother's night-time soap opera! (Well, it kinda is, which is why it's good and with a very pretty cast)
I spent the rest of the month watching porn.
What. Shut up.
December Screenings:
The projector screen fell down shortly before Thanksgiving, so I spent most of December watching Sex & The City episodes as I'd only seen a handfull. I'd be finished by now but the place I rent from lost their copy of Season 6: Part One - Disc 2. So I'm stuck until I Netflix it.
But I will comment that I liked the show more than I thought I would. I was resentful for many years for it winning so many awards and Sarah Jessica Parker winning every award. I don't see what she did that couldn't have been done by anyone else, not that she's not a good actress, I just don't think it stood out. I was impressed much more with Kim Catttrall (Samantha) and Cynthia Nixon (Miranda) while developing the biggest man-crush on Chris Noth.
I also started "Curb Your Enthusiasm" and have Seasons 2 and 3 ready to go. Larry David and I were separated at birth (albiet a few years apart).
The projector screen fell down shortly before Thanksgiving, so I spent most of December watching Sex & The City episodes as I'd only seen a handfull. I'd be finished by now but the place I rent from lost their copy of Season 6: Part One - Disc 2. So I'm stuck until I Netflix it.
But I will comment that I liked the show more than I thought I would. I was resentful for many years for it winning so many awards and Sarah Jessica Parker winning every award. I don't see what she did that couldn't have been done by anyone else, not that she's not a good actress, I just don't think it stood out. I was impressed much more with Kim Catttrall (Samantha) and Cynthia Nixon (Miranda) while developing the biggest man-crush on Chris Noth.
I also started "Curb Your Enthusiasm" and have Seasons 2 and 3 ready to go. Larry David and I were separated at birth (albiet a few years apart).
Saturday, November 06, 2004
November Screenings:
Deep Rising - *** a/k/a "'Aliens' on a cruise ship" Popcorn fun from Stephen Sommers
The Whole Ten Yards - **1/2 - Same movie as the first, still fun because of the cast.
Shrek 2 *** - Better than most movies, but a disappointment overall. Best jokes were in the background.
Changing Lanes *** - Great movie! As w/ most Affleck movies (save for 'Dazed and Confused') anyone could have done this role, but the structure of the film is great.
Jersey Girl - *** Good effort by Smith to break away from the style of his earlier films. Why he keeps casting Ben is a mystery to me. But, the guy sure can cry.
Scary Movie 3 - **1/2 exactly what it looks like and I'm a Charlie Sheen fan, so this reminded me of his 'Hot Shot' days...
A Home At The End Of The World - *** Colin Farrell can act when he has a good director. Great, interesting small film.
Scooby-Doo 2 - ** Fun for about 1/2 hour, just like the first but gets old fast. The cast keeps things moving as best they can.
Santa Clause 2 - **1/2 Okay sequel kept my attention because I *love* Elizabeth Mitchell.
Sweet and Lowdown - *** I will watch anything Samantha Morton is in.
View From The Top - **1/2 Why would an Academy Award A-List actress do a film like this?! I can only imagine she was promised great catering. Not a bad film, but it's like finding out Janine Garafolo is starring in the next Merchant/Ivory film; I don't doubt her talents, but it just leaves me with a dumbfounded feeling.
Angels in America - ***1/2 Great performances across the board.
The Stepford Wives - ** See above review of 'A View From The Top'.
Standing in the Shadows of Motown - ***1/2 Great documentary and history lesson. A Stand out moment was Joan Osbourne singing "Heat Wave" - the DTS soundtrack was *amazing* and if I closed my eyes in was like the band was in my living room. Definitely a purchase disc for me in the future.
Elf - *** Great holiday film and well made, showing promise for actor turned director Jon Favreau.
The Saddest Music In The World - *** A *very* unusual film that will lead to more viewings of Guy Maddin films (there are 28 as of this writing). Certainly very visual so if you're a fan of the look of silent films, I would highly recommend.
Coffee & Cigarettes - *** This film made me laugh, I liked the dialogue and most of it seemed improvised. Someday I'm going to do a Jim Jarmusch marathon because I don't remember much about his films yet I think they deserve deeper study.
Deep Rising - *** a/k/a "'Aliens' on a cruise ship" Popcorn fun from Stephen Sommers
The Whole Ten Yards - **1/2 - Same movie as the first, still fun because of the cast.
Shrek 2 *** - Better than most movies, but a disappointment overall. Best jokes were in the background.
Changing Lanes *** - Great movie! As w/ most Affleck movies (save for 'Dazed and Confused') anyone could have done this role, but the structure of the film is great.
Jersey Girl - *** Good effort by Smith to break away from the style of his earlier films. Why he keeps casting Ben is a mystery to me. But, the guy sure can cry.
Scary Movie 3 - **1/2 exactly what it looks like and I'm a Charlie Sheen fan, so this reminded me of his 'Hot Shot' days...
A Home At The End Of The World - *** Colin Farrell can act when he has a good director. Great, interesting small film.
Scooby-Doo 2 - ** Fun for about 1/2 hour, just like the first but gets old fast. The cast keeps things moving as best they can.
Santa Clause 2 - **1/2 Okay sequel kept my attention because I *love* Elizabeth Mitchell.
Sweet and Lowdown - *** I will watch anything Samantha Morton is in.
View From The Top - **1/2 Why would an Academy Award A-List actress do a film like this?! I can only imagine she was promised great catering. Not a bad film, but it's like finding out Janine Garafolo is starring in the next Merchant/Ivory film; I don't doubt her talents, but it just leaves me with a dumbfounded feeling.
Angels in America - ***1/2 Great performances across the board.
The Stepford Wives - ** See above review of 'A View From The Top'.
Standing in the Shadows of Motown - ***1/2 Great documentary and history lesson. A Stand out moment was Joan Osbourne singing "Heat Wave" - the DTS soundtrack was *amazing* and if I closed my eyes in was like the band was in my living room. Definitely a purchase disc for me in the future.
Elf - *** Great holiday film and well made, showing promise for actor turned director Jon Favreau.
The Saddest Music In The World - *** A *very* unusual film that will lead to more viewings of Guy Maddin films (there are 28 as of this writing). Certainly very visual so if you're a fan of the look of silent films, I would highly recommend.
Coffee & Cigarettes - *** This film made me laugh, I liked the dialogue and most of it seemed improvised. Someday I'm going to do a Jim Jarmusch marathon because I don't remember much about his films yet I think they deserve deeper study.
Sunday, October 24, 2004
October Screenings:
13 Going on 30 - **1/2
Saved! - ***
THX 1138 - **
Dreamscape - ***
Butterfly Effect - ***
Connie & Carla - **1/2
Identity - **
Firefox - **
Van Helsing - ***
Ella Enchanted - ***
Van Helsing: London Assignment - **
Garfield - *
Dune - **
Dogville - ***
La Cage Aux Folles - **1/2
La Cage Aux Folles 2 - **1/2
The Human Stain - **1/2
Man on Fire - ***
Northfork - **1/2
Sinbad: Legend of the 7 Seas - ***
Young Adam - **1/2
Spirit: Stallion of the Cimarron - ***
I Am Sam - ***1/2
13 Going on 30 - **1/2
Saved! - ***
THX 1138 - **
Dreamscape - ***
Butterfly Effect - ***
Connie & Carla - **1/2
Identity - **
Firefox - **
Van Helsing - ***
Ella Enchanted - ***
Van Helsing: London Assignment - **
Garfield - *
Dune - **
Dogville - ***
La Cage Aux Folles - **1/2
La Cage Aux Folles 2 - **1/2
The Human Stain - **1/2
Man on Fire - ***
Northfork - **1/2
Sinbad: Legend of the 7 Seas - ***
Young Adam - **1/2
Spirit: Stallion of the Cimarron - ***
I Am Sam - ***1/2
Saturday, July 31, 2004
July Screenings:
Paycheck - ***
Welcome to Collinwood - ***
Kill Bill Vol.1 - ***1/2
League of Extraordinary Gentlemen - **
Bowling for Columbine - ***
Saturday Night Fever - ***
Duplex - **
Along Came Polly - **1/2
Love Actually - ***
Caligula - **1/2
West Side Story - ****
Fog of War - **1/2
To Live and Die in L.A. - ***
Battlefield Earth - **
The Gift - ***
Darkman - ***
Hanging Up - **1/2
Mambo Italiano - **1/2
The Singing Detective - **1/2
Tomb Raider: Cradle of Life - **
The Core - ***
Paycheck - ***
Welcome to Collinwood - ***
Kill Bill Vol.1 - ***1/2
League of Extraordinary Gentlemen - **
Bowling for Columbine - ***
Saturday Night Fever - ***
Duplex - **
Along Came Polly - **1/2
Love Actually - ***
Caligula - **1/2
West Side Story - ****
Fog of War - **1/2
To Live and Die in L.A. - ***
Battlefield Earth - **
The Gift - ***
Darkman - ***
Hanging Up - **1/2
Mambo Italiano - **1/2
The Singing Detective - **1/2
Tomb Raider: Cradle of Life - **
The Core - ***
Thursday, July 15, 2004
Stuck on You - **1/2
Good performances by Damon and especially Kinnear doesn't help this 30 min. too long comedy about conjoined twins. It has the heart most Farrelly brother films have and moments of inspiried humor, but the 'Star is Born' plot takes up too much of the movie. I enjoyed the beginning with the daily routine of their home-town life and would have much rather seen this as a road-movie, a la Bubble Boy.
Good performances by Damon and especially Kinnear doesn't help this 30 min. too long comedy about conjoined twins. It has the heart most Farrelly brother films have and moments of inspiried humor, but the 'Star is Born' plot takes up too much of the movie. I enjoyed the beginning with the daily routine of their home-town life and would have much rather seen this as a road-movie, a la Bubble Boy.
Stir of Echoes - ***
Given this film's release date was one month after The Sixth Sense and they're both about boys who see dead people, 'Stir' didn't have a chance. How little of a chance? About 270 million dollars less of a chance than the sleeper box-office champ 'Sense' had. Would this film have been the summer sleeper of '99 had M.Knight's film been released a month later? Doubtful--it doesn't have the wonderful intentional slow pace to build suspension that 'Sense' does. However, it plays well enough and has a good enough cast so if you put the similarities aside and concentrate on the film, you'll discover a good movie that knows the secret of horror films--less is more. I can't imagine director David Keopp's state of mind as he watched 'Sense' reign the box-office right up and through 'Echoes' debut.
Given this film's release date was one month after The Sixth Sense and they're both about boys who see dead people, 'Stir' didn't have a chance. How little of a chance? About 270 million dollars less of a chance than the sleeper box-office champ 'Sense' had. Would this film have been the summer sleeper of '99 had M.Knight's film been released a month later? Doubtful--it doesn't have the wonderful intentional slow pace to build suspension that 'Sense' does. However, it plays well enough and has a good enough cast so if you put the similarities aside and concentrate on the film, you'll discover a good movie that knows the secret of horror films--less is more. I can't imagine director David Keopp's state of mind as he watched 'Sense' reign the box-office right up and through 'Echoes' debut.
Tuesday, July 13, 2004
Open Range - ***
I was surprised that I liked it as much as I did. Sure it's Rio Bravo meets Unforgiven meets every other western plot ever, but it's still done well enough that I was never bored. It's not masterful filmmaking like Costern's 'Dances With Wolves' but he does fare much better here than 'The Postman' or his uncredited work as a director in 'Waterworld.' As an actor, Costner holds the screen well enough, yet it's his few comedic moments that shows he return to something more light, a la 'Bull Durham' and 'Tin Cup'.
PS - Just when I thought the sound wasn't very good for a DTS track, the thunder from a storm scene kicked in -- the subwoofer nearly blew me right off the sofa (granted the sub sits directly behind the sofa, but still...) Just a reminder to everyone that DTS rules!
I was surprised that I liked it as much as I did. Sure it's Rio Bravo meets Unforgiven meets every other western plot ever, but it's still done well enough that I was never bored. It's not masterful filmmaking like Costern's 'Dances With Wolves' but he does fare much better here than 'The Postman' or his uncredited work as a director in 'Waterworld.' As an actor, Costner holds the screen well enough, yet it's his few comedic moments that shows he return to something more light, a la 'Bull Durham' and 'Tin Cup'.
PS - Just when I thought the sound wasn't very good for a DTS track, the thunder from a storm scene kicked in -- the subwoofer nearly blew me right off the sofa (granted the sub sits directly behind the sofa, but still...) Just a reminder to everyone that DTS rules!
Monday, July 12, 2004
50 First Dates - ***
Yes, three stars - shut up! This delightful comedy had me smiling all the way through. Adam and Drew really do have some sort of chemistry that reminds me of all the great screwball comedy teams of the 30's and 40's. How about a remake of "His Girl Friday" with the roles reversed, having Adam being the fast-talking reporter who won't let his ex-wife remarry??? A well-made film with all those heart-felt moments I've come to not only respect, but admire in all Adam Sandler films.
Yes, three stars - shut up! This delightful comedy had me smiling all the way through. Adam and Drew really do have some sort of chemistry that reminds me of all the great screwball comedy teams of the 30's and 40's. How about a remake of "His Girl Friday" with the roles reversed, having Adam being the fast-talking reporter who won't let his ex-wife remarry??? A well-made film with all those heart-felt moments I've come to not only respect, but admire in all Adam Sandler films.
Bug - **1/2
A boy squishes a bug and sets off a chain of events and comes full circle to have his actions directly affect his life. It's non-linear "Altman-esque" approach make this an unusual film, but is good enough that I was never bored. It has that, 'waiting for it to get started' feeling and you realize half-way in that it is what it is. Something for those people who say, "it's all been done -- nothing's original anymore."
A boy squishes a bug and sets off a chain of events and comes full circle to have his actions directly affect his life. It's non-linear "Altman-esque" approach make this an unusual film, but is good enough that I was never bored. It has that, 'waiting for it to get started' feeling and you realize half-way in that it is what it is. Something for those people who say, "it's all been done -- nothing's original anymore."
Cold Mountain - ***
Anthony Minghella proves he's a great cinematic director and adds another commendable project to his already honored resume. A great cast, with the exception of a mis-cast Nicole Kidman (or a poorly written part for an always watchable performer), and excellent cinemetography make this a good film, but probably not enough to entice many small-screen viewers to become fans.
Anthony Minghella proves he's a great cinematic director and adds another commendable project to his already honored resume. A great cast, with the exception of a mis-cast Nicole Kidman (or a poorly written part for an always watchable performer), and excellent cinemetography make this a good film, but probably not enough to entice many small-screen viewers to become fans.
Wednesday, July 07, 2004
A Mighty Wind - ***
Great companion to Guest's "Waiting for Guffman" and "Best in Show" (my personal fav of the three). It's so difficult to tell what's improved and what's scripted as it's all seamlessly performed. It's not as funny as the other two films mentioned, but given the talent it takes to carry off something like this it's still entertaining, esp. if you're a *music* lover (i.e., enjoy more than 2 genres). Highly honored for several of it's performances and songs, including winning an Oscar nomination for "Kiss At the End of the Rainbow" and winning a Grammy for "A Mighty Wind."
Great companion to Guest's "Waiting for Guffman" and "Best in Show" (my personal fav of the three). It's so difficult to tell what's improved and what's scripted as it's all seamlessly performed. It's not as funny as the other two films mentioned, but given the talent it takes to carry off something like this it's still entertaining, esp. if you're a *music* lover (i.e., enjoy more than 2 genres). Highly honored for several of it's performances and songs, including winning an Oscar nomination for "Kiss At the End of the Rainbow" and winning a Grammy for "A Mighty Wind."
Miracle - ***
I really hope Kurt Russell isn't forgotten come award season. His accent was dead on, not unlike Bill Macy's in "Fargo" but was never humorous--which is a credit to each actor and their approach (because it is a funny accent!) The film is basically a Mighty Ducks for grown-ups or Remember the Titans on ice, but it's done well enough to work on all levels.
I really hope Kurt Russell isn't forgotten come award season. His accent was dead on, not unlike Bill Macy's in "Fargo" but was never humorous--which is a credit to each actor and their approach (because it is a funny accent!) The film is basically a Mighty Ducks for grown-ups or Remember the Titans on ice, but it's done well enough to work on all levels.
Mystic River - ***1/2
This is one of those films where you know what happens, then you don't, then you're sure you do and you don't care when you're wrong because the story, performances, scenery and over all direction of the film takes you on a fantastic ride. Tim Robbins earned a well-deserved Supporting Oscar, turning in a better performance than the always great Sean Penn (winner of the Best Actor Oscar for this film).
This is one of those films where you know what happens, then you don't, then you're sure you do and you don't care when you're wrong because the story, performances, scenery and over all direction of the film takes you on a fantastic ride. Tim Robbins earned a well-deserved Supporting Oscar, turning in a better performance than the always great Sean Penn (winner of the Best Actor Oscar for this film).
Love Actually - ***1/2
A long running time cuts this short of perfection. Eight couples have a story, each worty of a film on their own right, but they're all condensed and connected like a Robert Altman film. However, extremely brilliant casting and endearing performances all around make this an absolute contender for yearly viewing during the holiday season.
A long running time cuts this short of perfection. Eight couples have a story, each worty of a film on their own right, but they're all condensed and connected like a Robert Altman film. However, extremely brilliant casting and endearing performances all around make this an absolute contender for yearly viewing during the holiday season.
Brother Bear - **1/2
For no reason I didn't want to like this movie. After the first 20 minutes I felt my reason of no reason was justified. Then 'the change' happens and the film kicks into gear. Thankfully, everytime things start to turn down the sappy road, Dave Thomas and Rick Moranis show up as Canadian Moose and save the moment. One would hope we'll eventuall see a video sequal with these two (see Lion King 1 1/2).
For no reason I didn't want to like this movie. After the first 20 minutes I felt my reason of no reason was justified. Then 'the change' happens and the film kicks into gear. Thankfully, everytime things start to turn down the sappy road, Dave Thomas and Rick Moranis show up as Canadian Moose and save the moment. One would hope we'll eventuall see a video sequal with these two (see Lion King 1 1/2).
Murder By Numbers - *
Ryan Gosling gives a memorable performance in this otherwise forgetful remake of Hitchcock's Rope. Note to Sandra Bullock - stick to cute and vulnerable, not bitchy/bossy/macho and vulnerable.
Ryan Gosling gives a memorable performance in this otherwise forgetful remake of Hitchcock's Rope. Note to Sandra Bullock - stick to cute and vulnerable, not bitchy/bossy/macho and vulnerable.
Bubba Ho-Tep - **
A fantastic performance by Bruce Campbell and the always great Ossie Davis, but I feel the film doesn't balance the horror/dark humor as well as one would hope, given such a premise. A sure-fire cult classic, the film just didn't click with me.
A fantastic performance by Bruce Campbell and the always great Ossie Davis, but I feel the film doesn't balance the horror/dark humor as well as one would hope, given such a premise. A sure-fire cult classic, the film just didn't click with me.
Whale Rider - ****
Destined to become a classic. A must-see for kids of all ages, despite a completely unfair PG-13 rating. Keisha Castle-Hughes completely deserved her Oscar nomination.
Destined to become a classic. A must-see for kids of all ages, despite a completely unfair PG-13 rating. Keisha Castle-Hughes completely deserved her Oscar nomination.
In America - ***
A wonderful movie. Beautifully acted, especially by the two daughters who are sister's in real life. I've not seen a film directed by Jim Sheridan yet but I'll be adding all of his work to my Netflix queue.
A wonderful movie. Beautifully acted, especially by the two daughters who are sister's in real life. I've not seen a film directed by Jim Sheridan yet but I'll be adding all of his work to my Netflix queue.
Eight Crazy Nights - **1/2
It's no 'Grinch' but it has at its core the heart of most of Adam's films. May not become a holiday staple, but it may make it into my rotation along w/ A Christmas Story, Scrooged and Christmas Vacation.
It's no 'Grinch' but it has at its core the heart of most of Adam's films. May not become a holiday staple, but it may make it into my rotation along w/ A Christmas Story, Scrooged and Christmas Vacation.
Anger Management - **1/2
I'm a big Adam Sandler fan, with Little Nickey being the extreme exception. Honestly, I found the chemistry between Nicholson and Sandler quite humorous especially when playing opposite each other in an emotional volley of yelling at each other. It's no Billy Madison or Happy Gilmore, but I'm glad Adam's expanding himself or we never would have seen a variation of range he expressed in Punch-Drunk Love.
I'm a big Adam Sandler fan, with Little Nickey being the extreme exception. Honestly, I found the chemistry between Nicholson and Sandler quite humorous especially when playing opposite each other in an emotional volley of yelling at each other. It's no Billy Madison or Happy Gilmore, but I'm glad Adam's expanding himself or we never would have seen a variation of range he expressed in Punch-Drunk Love.
The Lion King 1 1/2 - **1/2
Not quite feature material, but much better than normal video sequel fare. Rosencrantz and Guildenstern approach may not be considered 'original' yet surely rare for this genre. Thankfully most of the original cast are here and make for an enjoyable film.
What's next? Hamlet w/ the cast of Toy Story?
Woody: Alas, poor Mr. Potato Head! I knew him, Buzz - a fellow of infinite jest, of most excellent fancy.
Not quite feature material, but much better than normal video sequel fare. Rosencrantz and Guildenstern approach may not be considered 'original' yet surely rare for this genre. Thankfully most of the original cast are here and make for an enjoyable film.
What's next? Hamlet w/ the cast of Toy Story?
Woody: Alas, poor Mr. Potato Head! I knew him, Buzz - a fellow of infinite jest, of most excellent fancy.
Pillow Talk - ***
What would Nora Ephron be doing today were it not for films like this? The quintesenntial 'romantic comedy' post screwball era. Rock Hudson and Doris Day fit dashingly into the roles worn by Cary Grant and Kathryn Hepburn before them, and Tom Hanks and Meg Ryan after them.
What would Nora Ephron be doing today were it not for films like this? The quintesenntial 'romantic comedy' post screwball era. Rock Hudson and Doris Day fit dashingly into the roles worn by Cary Grant and Kathryn Hepburn before them, and Tom Hanks and Meg Ryan after them.
The Triplets of Belleville - ***1/2
I regret not seeing this in a theatre but will definitely see it again soon w/ video projection. Visually stunning, nearly silent film with extremely catchy music. Weird, distrubing, funny... everything animation should be!
I regret not seeing this in a theatre but will definitely see it again soon w/ video projection. Visually stunning, nearly silent film with extremely catchy music. Weird, distrubing, funny... everything animation should be!
Fahrenheit 451- **1/2
Interesting enough if you're into that big brother aspect of society. Me, I prefer my music outlawed instead of literature and to fight for my freedom against robots. I only watched it because of it's comparison to Equilibrium (see below).
Interesting enough if you're into that big brother aspect of society. Me, I prefer my music outlawed instead of literature and to fight for my freedom against robots. I only watched it because of it's comparison to Equilibrium (see below).
Taps - ***
Strong performances by Sean Penn, Timothy Hutton and especailly Tom Cruise make this a near 'must see' if you follow any of the actor's careers.
Strong performances by Sean Penn, Timothy Hutton and especailly Tom Cruise make this a near 'must see' if you follow any of the actor's careers.
Equilibrium - ***
I remember liking the look of the film from the trailer, then read horrible reviews and put it out of my mind. Then Roger Ebert made a reference to it on a show saying how good it was (I think sometime around when Matrix Reloaded was released) and changed my mind. Definitely cult film material - look to hear more about this film in the coming years.
I remember liking the look of the film from the trailer, then read horrible reviews and put it out of my mind. Then Roger Ebert made a reference to it on a show saying how good it was (I think sometime around when Matrix Reloaded was released) and changed my mind. Definitely cult film material - look to hear more about this film in the coming years.
Safe - **1/2
Julianne Moore carries this film far, considering it's meticulous pacing, and proved she'd be a contending actress in the coming years. She's the new/next Meryl Streep and has caught my attention since my initial screening of Short Cuts back in 1993. Comparing this effort from writer/director Todd Haynes to his visually stunning Far From Heaven, it seems isolated housewives (both Julianne Moore) may be a common theme that interests him, although I don't recall this theme in Velvet Goldmine.
Julianne Moore carries this film far, considering it's meticulous pacing, and proved she'd be a contending actress in the coming years. She's the new/next Meryl Streep and has caught my attention since my initial screening of Short Cuts back in 1993. Comparing this effort from writer/director Todd Haynes to his visually stunning Far From Heaven, it seems isolated housewives (both Julianne Moore) may be a common theme that interests him, although I don't recall this theme in Velvet Goldmine.
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