December

The Iron Giant - ***
I was a bit harsh on this when it came out, calling it "E.T. with a robot." However similar they may be, the animation is beautiful and must be seen in high-def on a big screen to be truly appreciated. This is probably the last of its kind since the mid-90's ushered in the Pixar era which has remained dominant to this day. If you're nostalgic for an 'animated classic' but don't feel like being down-played to by talking smart-mouthed animals (which have their place in cinema, but only when they're actually funny), this is a good family-friendly film with a 1950's sense of violence (i.e., guns and missiles, but no gore).

Carousel - *
The music is good, but wow. Maybe it presents itself better on stage. The production numbers make this a viewable experience in a MST2000 way, so gather some theater buff friends, pour a drink and sass away at the screen. Could there be a worse performance ever in Gordon McRae's "Billy"? Did people really accept this as entertainment?! Oh, it's just awful.

Murial's Wedding - ***

I screened this film back in it's original release in '95 and remember liking it and for some reason late last night while perusing Netflix, I thought I'd give it another quick peek and I am so glad I did. The script has wonderful dialogue and a very clever story. Toni Colette in the leading role is quite a revelation and it's no wonder she's found incredible success and acclimation following this performance. My favorite part about Murial as our protagonist is that she's not perfect: she steals, seems largely unambitious and has no self-worth. After meeting her family and friends, we understand why and follow her metamorphosis with great intrigue.

It must be noted here that Jeanie Drynan as Murial's mother has only a few minutes of screen time, yet gives an incredible low-keyed performance which carries throughout the film and affects our perception of most of the characters. As much as I like Rachel Griffiths, her storyline gets a bit "Lifetime-y" and I think her impact on Murial's (now "Marial") life could have been executed without such a dramatic plot twist.

This is a highly entertaining film with loads of ABBA music which is utilized quite effectively to accentuate the mood of our main character, but not too much that it becomes blatant and overused.

Burlesque - **1/2
It was really difficult to watch this film and not think of "Coyote Ugly." Other than professions and this film being a music, they're nearly identical. If you like one, you'll like the other. The cast is great but the characters are pretty one-dimensional. The real surprise for me was how natural Christina Aguilera is on camera. The second biggest surprise for me was how in the bloody hell do you have Alan Cumming in your movie and give him two lines and 5 seconds of screen time?! I'm wondering if there was a whole section cut out for running-time purposes. What a disgrace! This film is exactly what it looks like, but not nearly unwatchable as I had anticipated.


The Artist - ****
A true gem. I spent the greater part of my education studying silent films and this homage hits every mark perfectly. Jean Dujardin and Bérénice Bejo have wonderful, natural chemistry (they've worked together on a few other films) and the story, set design, music--everything--combine to make this a truly timeless and instant classic. 



The Nightmare Before Christmas - ***1/2
This became an immediate favorite upon screening on its initial release and the soundtrack has been a year-round staple since buying the CD the following day. I screened this again as I wanted to watch an anamorphic widescreen presentation on my projector. The DVD I own has a wonderful DTS mix but is very blurry as it's not enhanced for widescreen TV's and looks horrible when projected (100" diagonally).

This version also sports the "Touchstone" logo instead of the "Walt Disney Pictures" logo which was changed when the film was re-released for 3D in 2006. It's interesting to note that, as I've waited years to see a better version, the week I rented this from the library, Netflix gained access to many titles in Disney's library and this film is available to stream in HD. Hilarious, Universe, hilarious...

Wrath of the Titans - **
This film is like a cool video game--epic battles, fun effects and loud monsters--that you sit and watch while your friend has all the fun. To me, that gets old after 10 minutes. A film of this genre needs more theatricality and character, not endless battles and constant violence. 

Rosemund Pike is a standout while Ralph Fiennes and Liam Neeson seem to enjoy their limited screen time (and presumably big paychecks) while I barely understood a word Sam Worthington said. I would love to see a story-heavy origin of the Gods prequel called, "Birth of the Titans." With lots of British theatre vets.


The Cabin in the Woods - ***

Hilarious and original and I'm not a slasher film fan at all. I screened this all because it was a Joss Whedon project and I'll watch anything which involves his input. I would hate to say more for fear of giving away spoilers, however, if you rent the DVD and/or have ever read anything about this film, you probably know the biggest spoiler already and it comes relatively early in the film. Richard Jenkins and Bradley Whitford clearly had fun with these roles.

Sherlock Holmes - ***

I am not a fan of an actor playing two very iconic roles but Robert Downey, Jr. does a decent job of finding enough variations so that it's easy to distinguish Sherlock from Tony Stark (a/k/a "Iron Man"). Mark Strong makes a terrific 'bad guy' but it's getting a bit typecasty.

Director Guy Ritchie fashions does his best to update and put his unique stamp on this character with flashy camera work, rapid edits and a slowed-down while narrated description of our hero while he's attacks/defends himself (a cinematic term known as "bullet time") against brutish villains is a unique approach to put us inside Sherlock's brilliant mind and use of deduction. 

Sherlock Holmes: Game of Shadows - **1/2
The gang's all back for a fantastic production which is whizzed by us with flashy contemporary cinematography (why zoom past all that detail!). Downey, Jr. and Jude Law turn in good performances (more Stephen Fry, please!) and a decent story yet it never really clicked with me as much as the first. 


Brave - **1/2
Not Pixar's best and more violent than one would expect. The story and characters are okay, but it doesn't bring anything new to the table and wasn't surprised by much. There is a good message for girls (and all kids, I suppose) to be strong-willed and independent, but a much better example is seen in "Whale Rider."




The Amazing Spider-Man - **1/2
Andrew Garfield makes a great Peter Parker! Hooray! That said, waiting an hour to see Spidey while setting up an origin story was unnecessary and this film didn't need to use all that time to repeat what pretty much anyone familiar with the character knows, be it from the comics or the *hugely* successful films done less than a decade earlier. "The Incredible Hulk" reboot did their origin story during the opening credits and the same could have easily been done here, or at least in the first 10 minutes. This film does have some nice visuals and effects but a very weak script and boring dialogue. Compared to the other work Marvel characters have been given over the past few years, this is definitely sub-standard and Spidey deserves so much better. Hopefully he'll fare far better in sequels or *crosses fingers* gets involved in other Avengers films.

Battleship - *
What a stinker. Seriously, it makes "Armageddon" seem like "Citizen Kane." Horrible and laughable dialogue and characters. I didn't think I could finish it, and it made me long for the torturous screening of "Sucker Punch."






Ted - **1/2There was some good laughs, a few clever homages and good performances (Wahlberg plays off a teddy bear as good as anyone could). For all the crude humor I hoped for, it is there but it just didn't land for me. Why in earth did they not make this a holiday movie?! It starts with a Christmas wish and then nothing. Definitely a missed opportunity for annual holiday viewings.

Dark Shadows - **
What a terrible script. The visuals and performances are there, but there is little to do for anyone other than Depp & Green. If you're a Depp fan, it's fine for a one-time screening, but it's a long two hours and quite forgettable days later. What a waste of a great cast.





Batman Returns - ***
I'm really torn with this film and could go 2 or 3 stars, depending on my mood. I've chosen 3 as I have to give Burton credit for taking some chances, not all of which worked. The film is campy yet also takes itself too seriously. DeVito gives an uneven performance as the Penguin and I blame director Burton more than DeVito. It's as if they couldn't decide between them to play him as a troubled evil genius or an idiotic buffoon and the unevenness shows, particularly in the scenes with Christopher Walken (who seems to be the only one to find the perfect balance in tone). The real standout here is Pfeiffer who really shines as Catwoman and probably a performance which will never be equalled (full disclosure: as of this writing, I've yet to see Halley Berry's interpretation, but I'm still quite confident in my assessement of Pfeiffer). Michael Keaton has very little to do and he often is buried in exquisite production design. Elfman's score is a standout and seems a close precursor to his 'Nightmare' masterpiece which arrives the following year. 

Gremlins - ***1/2
One of my favorite Christmas movies and is an annual screening during the holiday season. Imaginative story, wonderful effects and a tremendously underrated score by Jerry Goldsmith. Beautiful set design and colorful, soft-lighting make this a must-see on the big-screen. Director Joe Dante does a masterful job of balancing humor, terror, camp and sentiment and a cast that delivers on every cue.

November

The X-Files: I Want to Believe - **1/2
This would have made a good stand-alone episode of the series. As a feature, it fails to deliver anything on a cinematic scale (although, I did like the cinematography). It was shot in Canada with lots of real snow and cold. No sound stages and cotton lined roof tops here.

Gillian Anderson does a great job of bringing Dana Scully back to life, but Duchovny seems to be coasting with his return as Fox Mulder. I always appreciated David's extremely dry delivery on the show and that humor is missing throughout this film. (If you screen the DVD, be sure to watch the gag reel and you'll know what I mean.)

The Hunger Games - ***
I really enjoyed this film in the theater, before I read any of the books and it actually inspired me to seek them out. After reading the first book, I feel this is an extremely faithful adaptation and succeeds on many levels: performances, cinematography, costume & make-up and visual effects. I hope it's not forgotten come awards season.

Prometheus - **1/2
This film is very visual and it's unfortunate if you view it on a small screen. However, there isn't much new brought to the table in this over-hyped sci-fi entry. Charlize Theron (who had a good summer with this role and the evil queen in "Snow White and the Huntsman") has fun being the cold corporate representative on the journey. Michael Fassbender is also very good but saying why may involve a few spoilers, It's moderately paced and may be appreciated more when viewed with its follow-up film(s). It definitely feels like a Part 1 to at least two more.

Jack and Jill - **1/2
This film represents the best of what I like about most Adam Sandler films: Adam's character is relatively 'normal' to almost the bad guy, the film lets others get big laughs, there is potty humor yet also genuine sentiment. It has kids, but is not a "kids" movie. the bonus here is you get Adam playing two characters who gets big laughs by trying to be her normal self (yes, her...it's Adam in drag). I'm still unsure if Al Pacino is being a mild caricature of himself or doing a comedian's stereotypical impersonation of Pacino the actor. Either way, it worked for me.

I wish Sandler would give his movie wives something more to do than look pretty. Yes, Tea Leoni is his best movie-wife so far ("Spanglish"), but that was a James Brooks script.

Dracula's Daughter - **1/2
Not a bad sequel, but not near as stylistic as Tod Browning's original.

Son of Dracula - **
Okay, I know I watched this, but even after only a few weeks have gone by, I can't remember anything about it. I'll have to start with these lessor popular titles next year and take notes.

House of Dracula - **
I remember even less of this one. Jeez.

Dracula (1992) - **1/2
The first half of this film is quite a faithful adaptation and looks gorgeous. Beautiful costumes, detailed sets, wonderfully creative cinematography (it had to inspire Baz Luhrman in his vision that would become "Moulin Rouge") and a score that grabs you and doesn't let go. The second half, becomes schmaltzy romance and it loses me. Gary Oldman seems to be taking the role far too seriously but is effective in that first 1/3 of the film. Keanu Reeves belongs in this film as much as Charlie Brown belongs in a porn. In my opinion, Sadie Frost and Anthony Hopkins are the only ones who seem to understand that it's not drama, but also not campy horror and find the right balance.

The Wolfman (2010) - ***
Certainly better in the Universal Horror Series than the "Van Helsing" offering which preceded it, and far more atmospheric. Director Joe Johnston seems to fully understand the differences between horror (mood) and slasher films (gore) and balances them perfectly with great action sequences. Not sure why we need Anthony Hopkins here. I know it was 18 years prior when he was Van Helsing in "Dracula" (the film that kicked off the Universal remakes) but if you then watch them as a series, it will be odd that Van Helsing is now the Wolfman's father.

The Pink Panther - *
Awful. Just embarrassingly awful. Dumb story, awful acting (Kevin Kline's accent(?) changes mid-sentence) and boring direction. Do not bother!

The Pink Panther 2 - **1/2
Why would I screen this, moments after seeing the first film? Let's blame my OCD and move on. Actually, this film was about as good as I had hoped the first one would be with just the right amount of silly. Martin is miscast, yet no one would have satisfied me (not even my life-long devotion to Steve) other than Sacha Baron Cohen in the role of the bumbling detective.

Bernard and Doris - **1/2
Moderately paced and likable film with two great performances by Fiennes & Sarandon. Not surprising as director Bob Balaban is an actor also. I could have used some titles to show passage of time. Sometimes it's mentioned in the narration but I was lost as to whether 5 weeks or months had gone by. Also, Doris Duke was 81 when she passed yet Sarandon seemed to age about 10 years total and looked mid-50's when the film starts. It was definitely distracting. Fiennes' transformation from beginning to end is far more fluid and rewarding regarding a story arc to follow. Sets and costumes were quite detailed.

Baby Mama - **1/2
A long 99 minutes of not very funny material and wastes too much time on Tiny Fey's character and not the relationship and comedic scenarios possible between these two gifted comedians. The real surprise was Amy Poehler's genuine dramatic ability. I would never have been able to place her in a drama pre-"Parks and Recreation." and give credit to writer/director Michael McCullers for getting a broad-ranged performance from her. A shout-out to Dax Shepard for getting most of my laughs, probably through improv.

Anchorman: The Legend of Ron Burgundy (Unrated) - ***
Hilarious movie. I like Will Ferrell best in small doses but this is a truly amazing character and more is more in this instance. Wisely, director Adam McKay wrangles a trio of comedic talent in Paul Rudd, Steve Carell and Christina Applegate to compliment Ferrell's outlandishness. An original script full of great one-liners, often which will only make sense if you've seen the film ("Milk was a bad choice.") add to the greatness of this movie. I can't wait for the sequel.

The Adventures of Tintin - ***
This film is classic Spielbergian and is a joy to watch on the big screen. Colorful animation, swooping camera movements and a story full of treasure hunting and globe-trotting adventure--Spielberg seems to have rediscovered some of his child-like joy in film making again and this film is proof.

Abraham Lincoln: Vampire Hunter - ***
I really enjoyed this film from beginning to end. It handles tone much like Joss Whedon did for his 'Buffy' series; the premise is ridiculous so have fun with it, but treat the material seriously. Lead Benjamin Walker is a dead ringer for a young Liam Neeson (and indeed played the younger version of Neesom's 'Kinsey') and is certainly a talent to watch in the future. I may actually try and find this as a used DVD and add it to my collection. Director Timur Bekmambetov has a wonderful command of the camera and I wouldn't be surprised if he's handed something in the super-hero genre soon.

Winnie the Pooh - ***
I am so glad I saw this in the theater when it was originally released as the animation is superb. The film itself is short, funny, has great songs and completely beautiful. This is a children's film to be enjoyed by all ages and worth many repeat viewings to enjoy that gorgeous animation. I'm in shock that it doesn't get much recognition.

The Big Year - **1/2
Given the cast (Martin, Wilson and Black), I expected more laughs, of which there were a few, but was surprised at the genuine sentiment the film delivered. I watched the "Expanded Edition" and it was a bit long so maybe the theatrical version is timed better. All three leads are good here but the film doesn't really deliver anything worth remembering.

The King and I (1956) - ***
I've been waiting for years to see a 'enhanced for widescreen TV's' version of this film as my LaserDisc looks awful when projected and the original DVD released looks just as bad and sounds worse. This film is too big for even 100" projected and needs to be in a movie palace to be appreciated. So many of the costumes and set detail gets lost. Thankfully, Yul Brenner's performance could be enjoyed on even an iPod Shuffle. Truly one of the greatest creations in all of theater.

Brigadoon - *1/2
Truly escapist entertainment; the kind where you have to provide the imagination as the sets will not convince you that you're anywhere but in a sound stage with actors lip-syncing. An incredibly simplistic premise with near-insulting characterizations, which may have been enjoyable as a 'dream-sequence' in another film but when stretched out to feature-length it's just boring. Gene Kelley does his best to take you away, but after viewing I'd have much preferred to not go at all.

Wanderlust - ***
Paul Rudd makes me laugh like others only wish they could. I don't want to describe much of it at all, other than to recommend it and to be sure to watch the special features on the DVD. Paul Rudd has a scene where he has to 'talk dirty' and I had to pause the film as I was laughing so much. Malin Akerman should have gotten an Oscar just from withholding her laughter during this scene. (PS - Paul, I like you even more with short hair)

Seeking A friend for the End of the World - ***1/2
I don't want to give any of this film away so just see it. Just see it. Wonderfully unique story and terrific performances directed with loving care. I really hope this gets a Best Picture Nomination as it's easily my favorite so far this year.

Newsies - **1/2
Batman sings! It's "Annie" with a boys cast. Ambitious with some good song and dance numbers.

Adam - **1/2
Moderate love story between a young teacher and a young man with Asperger's Syndrome. I had hoped from watching the trailer that it would have been less Lifetime-y. Rose Byrne is good, as is Hugh Dancy but certain things happen in the story which made me go, "huh?" too many times.

Underworld: Awakening - **
Why do I keep getting my hopes up that any of these films will be good. There is starting to be very little difference between the caliber of this series and those 'throw together' rip-offs they air on SyFy on Friday nights.

Ghost Rider: Spirit of Vengeance - **
Not awful, but disappointing as I like the first entry into this franchise and had higher hopes.

The Three Stooges - **1/2
The three leads do an admirable job, especially Chris Diamantopoulos. Some decent laughs and would be more enjoyable in 10 min shorts, but as a "Farrelly Brothers" movie...? Come on, boys. Go back to adult humor with unique characters. You are (were?) better than this.

Rock of Ages - ***
This was fun. I bet seeing a production live would be more fun. It's a hairband themed episode of "Glee" (when it's good) but with some pretty big names. Great balance of camp, sentiment, comedy and hokey sincerity. I appreciate the casting of Alec Baldwin but he's out of his element here while Cruise really stands out. I really love when he takes chances (i.e., "Tropic Thunder").

That's My Boy - ***
Too long, but genuinely funny. That said, I could have done without Adam's ultra-thick Boston accent as I find him less funny when he does 'a voice' (save for "Bobby Boucher, Jr." a/k/a "The Waterboy"). They're fine for 3 minutes sketches but get extremely annoying when forced to hear for any extended period (i.e., "Little Nicky"). One of the better "non-Dugan" directed Sandler films.

Tower Heist - **
A real waste of some good comedic talent and a premise full of comedic promise. The cast all work in a hotel (except Eddie Murphy) so why not give them some funny stuff to do at the hotel? Nope, the film wastes most of its time showing how goofy planning a robbery can be. I'll spare you, it's not goofy or clever or funny. Danny Ocean is embarrassed for all of you.

Snow White and the Huntsman - **1/2
Charlize Theron is terrific and the film really lags when she's not onscreen. Kristen Stewart still acts like the lead in a high school production. Regarding the action, it's one thing to look epic and another to look like extra's playing with plastic swords.

Anything Goes - **1/2
Entertaining, but nothing special, save for Donald O'Connor's routine with the kids ("Bounce Right Back"). Amazing. Why isn't it featured in any Hollywood retrospectives? It's only slightly less brilliant than "Make 'Em Laugh."

Adam's Rib - ***1/2
I love me some Tracy/Hepburn!

Wrath of the Titans - **
This film is like a cool video game--epic battles, fun effects and loud monsters--that you sit and watch while your friend has all the fun. To me, that gets old after 10 minutes. A film of this genre needs more theatricality and character,not endless battles and constant violence.

Rosemund Pike is a standout while Ralph Fiennes and Liam Neeson seem to enjoy their limited screen time (and presumably big paychecks) while I barely understood a word Sam Worthington said.

I would love to see a story-heavy origin of the Gods prequel called, "Birth of the Titans." With lots of British theater vets. 

October

Twilight - *1/2
This was as bad as I remembered it being when I first viewed it a few years ago. When I first heard about it, most people mentioned Kristen Stewart's acting and it seemed *awful* when I actually saw the film, but after reading the books I understand that's how the character was written (i.e., awful), as if one were reading a tweenager's diary. I don't see how most people could follow this film w/o reading the book as director Catherine Hardwicke had a lot of people making weird pained faces and she must have assumed her audience would know what four pages from the book transferred into each look or gesture. The effects of Edward running while carrying Bella in the woods were *awful* and reminded me of the mountain climber from The Price Is Right. After reading the book, I was disappointed that Edward's family wasn't utilized more in this film. Nearly all of them were more interesting than Bella or Edward.

The Twilight Saga: New Moon - **1/2
I was surprised to find that I actually liked the second book in the Twilight Saga and had my hopes higher (as in hoping it wouldn't suck) for this sequel. Overall this film is an improvement and I was glad to see more of Edward's family. #TeamAlice

The Twilight Saga: Eclipse - **1/2
Not an improvement on the formula but held my interest and was a good adaptation. #StillTeamAlice

The Twilight Saga: Breaking Dawn, Part 1 - **1/2
See review above.

Blade Runner: The Final Cut - ***1/2 (no link to IMDB for this version)
It had been so long since I'd seen the Director's Cut of this film that I didn't really notice any huge differences. I regret not screening the originals just prior to this viewing and will probably set aside a week next year to view all versions over a few nights. In any version, it's still one of my favorite films and I hate to believe that my affection will dissipate over repeated viewings so I keep them to a minimum and just relive some of the visuals through the soundtrack/score on my iPod.

Dracula (1931) - **1/2
Kind of a boring movie (fitting, as I feel the same way about the book), but for '31 it was pioneering for its visual style. And has there ever really been another Dracula that can compare to Lugosi's? I probably would have enjoyed this more as an 8 year-old. Also, as it's more of an adaption of the play than the book, when it's not being ominous with its visuals, it's being very stagy in its presentation.

The Girl with the Dragon Tattoo (2009) - ***
I've held off seeing this for years as I had meant to get to the books first. That didn't happen so I just decided to dive in and I'm glad I did and was upset for putting it off. Great story, performances and some fantastic visual shots of real locations. This was not made in a Hollywood studio and it shows. Noomi Rapace is fantastic and if you need only one reason to watch this film, she's the reason.story

Phantom of the Opera at Royal Albert Hall - ***1/2
I've been a fan of this musical since the first listen and had never seen a stage adaptation until this one. I tried to judge it as a production in and of itself, but it's difficult not to compare any version when you've heard the  Broadway recording hundreds of times. I was totally drawn in from the opening notes and barely moved through the entire show. And stay tuned after the show for a few surprises!!!


Due Date - **
I didn't think this film was very funny at all (a couple laughs, at best). Zach Galifianakis does have a particularly wonderful dramatic scene in a bathroom and a few other moments that shows he's far too good for this generic road film. It seemed to try for dark humor but couldn't balance being mean while also trying to be likable.

Constantine - ***1/2
I know I screened this back in '05 or '06 but somehow forgot most of what it was about. I read a few of the comics about a decade ago and have no recollection of them either, except that I remember enjoying them. I have no excuse as to why I forgot how great this overlooked film compares to modern comic book adaptations. I still think Keanu is miscast but certainly doesn't do the material any disservice. Great effects and a fun story make this a must-see whether you've read the comics or not (it may actually help if you haven't, as Reeve's casting may then not be an issue with you).

September

Team America: World Police - ***
I don't think this film ever got its due. While the script falls flat on a few jokes and the celebrity references will probably not hold up over time, the score/songs are amazing and in heavy rotation on my iPod. It makes a great pairing with the South Park film.

August

Fanboys - **1/2

Mulholland Dr. - ***

That Thing You Do! (Director's Cut) - ***

Mr. Mom - ***

Serentiy - ***

High Anxiety - ***

This is Spinal Tap - ***

Arthur - ***

July

Reign Over Me - ***

The Blind Side - *1/2
As far as a stretch as this overexposed award-winning role was for Sandra Bullock (um, why wasn't this attention received for "Crash"?), I found this film to be incredibly condescending and ridiculously offensive. In what world does an upper class white woman (and her 9 year-old son) teach an 18 year-old black man how to play football?! Even if said young man had *never* played or watched football before, yet displayed a natural gift, wouldn't it fall to the coach of the team to guide him?! I find it embarrassing for our culture that this film became such a hit.

The Spiderwick Chronicles - **1/2
A mini Seth Rogan marathon caused me to seek this film out. It seemed to try too hard to be a 'scary kids adventure' (and maybe would have been in the 80's) but the cast was good, there was a couple of fun ideas but it's no Harry Potter.

Paul - ***
Hilarious, cleaver, well-made and fun. Has Simon Pegg ever done wrong? Kristin Wiig is also fantastic and it's too bad this didn't come out after "Bridesmaids" as it would have gotten a lot more attention.

Little Nicky - **
If Sandler would have come up with another voice this film would have been a success. There were a few clever gags and a decent enough plot but that voice is just the most irritating sound ever. It would be perfect if this were a cameo in someone else's film but 90 minutes of it is just way too much.

Observe and Report - **1/2
I appreciate the dark tone this film was going for, but it seemed to do it half-assed. Released a mere months after "Paul Blart: Mall Cop" it wouldn't surprise me if people thought it was the same movie. I assure you, they're not. Where 'Blart' went for slapstick, 'Observe' goes for goofy socio-pathic romance. It succeeds on some levels, then tries to make Rogan's character a sympathetic loser rather than the bi-polar failed-hero Rogan seems to want to portray (and does very well). I can see this becoming a cult classic for people who abhor standard Hollywood films. This really is the antithesis of 'Blart' and WB should have capitalized on that in its marketing.

Evan Almighty - **1/2
As much as I like Steve Carrel and *love* Lauren Graham, seeing them in something this vanilla pains me. The film is likable enough, but it's totally paint by numbers. It's everything it looks to be and will delight your pre-teens and grandparents, without being too preachy.

The Green Hornet - **1/2
Another in my Rogan marathon -- This film wasn't nearly as terrible as I'd heard and Rogan really does a great job of being a spoiled playboy. I really respect him as an actor but he seems all over the map here and never quite finds the character. He's totally likable goofy pot-head Rogan in one scene, then overly serious Bruce Wayne-ey in the next. Rogan and Jay Chou have great chemistry and their scenes of 'becoming heroes' are the highlights.

OSS 117: Cairo, Nest of Spies - ***1/2
Made by the same 'team' who did "The Artist" and it's a gem. If you're a fan of the 'Austin Powers' series and/or have an affinity for the Pink Panther films then there is *no way* you wouldn't totally enjoy this film (unless you're absolutely against sub-titles). I hate to even describe much about the film in fearing I'd spoil any of the jokes. I will say that the recurring 'chicken' gag is my favorite. I even had to pause the film to collect myself.

The Hangover Part II - *1/2
Ugh, why... this is one of those sequels that is just a repeat of the first film in a new location.

Just Go With It - ***
Director Dennis Dugan seems to have a way with Sandler that works (other than in 'Grown Ups') and this is one of the good ones.Formulaic, sure, but the chemistry between Sandler and Aniston is enjoyable and the kids are terrific.

The Adjustment Bureau - ***
Damon and Blunt make a great romantic pairing in this stylistic, fast-paced and under-appreciated sci-fi thriller. The film is an impressive entry for first-time director George Nolfi.

Dr. Suess' Horton Hears A Who - **1/2
Likable enough but gets pretty heavy-handed and political. Kids may not get the political/religious subtext but it will smack most adults right in the face so hard it becomes a bit off-putting. Jim Carrey is so over the top that it becomes distracting while Steve Carell does a great job portraying a father/husband/mayor with a lot responsibility to his family and community while harboring his own worldly questions about existence. I'm convinced that if anyone has the nerve to remake "It's A Wonderful Life," they had better do it with Carell.

Spider-Man 3 - **1/2
I was extremely disappointed in this upon my original screening a few years ago and although the film holds up a little better than I remember, it's still the weakest of the trilogy. As good a job as Thomas Haden Church is in his role as Sandman, I couldn't help but thinking that he was mis-cast. I'm unfamiliar with the comic book version of Sandman, but Church plays him very sympathetically and it's hard to see him as a villain. With additional villains of Venom and New Goblin, this film is just too busy.

Crazy, Stupid, Love - ***
I really enjoyed this comedy aimed at adults. I think anyone younger than 30 wouldn't appreciate the changes one must do in order to update themselves to modern times once they've been so comfortable in a marriage or career for so long. Carell, Moore and the always amazing Gosling really craft unique characters and the script by Dan Fogelman (who's mostly penned kids animation for Disney) peppers enough comedy and drama throughout to really give the film an even flow. A genuine surprise for me.

The Descendants - ***
I didn't quite enjoy this film as much as I'd hoped from all the hype it was given. It's solid writing, great performances and solid direction, but I was hoping for more comedy. It seemed like it wanted to be a quirky Coen Bros. comedy then ventures into Lifetime TV movie of the week territory. A little off-balanced, but still better than most.

Cyrus - ***
This is a great independent film. Dark, funny and genuinely touching. The Duplass brothers really show some promise here. John C. Reilly, Marisa Tomei and Jonah Hill (he gets an Academy Award nom for "Moneyball" and is ignored in every aspect for this role?) give great performances. If you're in the mood for something unpredictable and unique, this is a great choice.

You Don't Mess With the Zohan - **1/2
The first third of this film is fantastic. An Israeli secret agent who longs to be a hairdresser! Unfortunately, it veers off into the cheeky Sandler romance-type film and completely abandons the promise of what might have been. Sandler and co-star Emanuelle Chriqui (gorgeous and talented as she may be) have zero chemistry. Likable enough as a whole, but just disappointing after that hilarious first act.

June

Moon - ***

Cedar Rapids - **1/2

50/50 - ***

Bedtime Stories - **1/2

Puss in Boots - ***

Young Adult - ***

Never Let Me Go - ***

Hugo - ***

Source Code - ***

Coraline - ***

The Iron Lady - ***

Grown Ups - *

The Ides of March - **1/2

Away We Go - ***

The History Boys - ***

Nick & Nora's Infinite Playlist - **1/2

Paper Heart - ***

Somewhere - **


Planet of the Apes (1968) - *** [Rescreen]

Gosford Park - ***

May

The Switch - **1/2

The Change-Up - **1/2

Bridesmaids - ***

The Help - ***

9 - *1/2

The Smurfs - **

An Education - ***

The Kids Are All Right - ***

Cowboys & Aliens - **

The Town - ***

Moneyball - **1/2

Midnight in Paris - ***1/2

My Week With Marilyn - ***

April

The Wiz - *

Thor - *** [Rescreen]

Mission Impossible: Ghost Protocol - **1/2

A Night in Casablanca - ***

Labyrinth - **1/2

Radioland Murders - *** [Rescreen]

Let's Make Love - ***

Let the Right One In - ***

How to Succeed in Business Without Really Trying - ***

March

Grand Canyon - ***
I know I saw this back in its original release, but remembered very little. Kevin Kline gives a fantastic subtle performance. I highly recommend if you haven't seen this and also worth a re-screening if you had seen it years ago.

Clash of the Titans (2010) - **
This is one of those films that's not great and not bad. Total popcorn movie but without the camp of the original. Maybe the original wasn't supposed to be? Perhaps this will appear campy 20 years from now?

The Hurt Locker - ***
I didn't enjoy this as much as I'd hoped, but still great filmmaking and Jeremy Renner is fantastic (as he always seems to be).

Manhattan - ***1/2
Still a classic. Mariel Hemingway is so great (and only 16 years-old when filming!) and much deserved her supporting actress Oscar nomination. A wonderful score by Gershwin and gorgeous black and white cinematography by Gordon Willis give New York a timeless look and feel. It's the New York we want to exist but probably never has.

Knight and Day - **
I've never really been a fan of Cameron Diaz, with the exception being the first film I saw her in her feature film debut , "The Mask." I absolutely loathed her in "Vanilla Sky" and said at the time she and Cruise had zero chemistry so I was surprised when I learned they were doing another film together. The action sequences are good here and Cruise is fine in another action role but I really wish he'd take better parts than this. He's a far better actor than most people, even himself, give him credit for. Do something outside the box, Tom -- call Kevin Smith and discuss some ideas.

The Fisher King - ***1/2
I saw this about 20 some years ago and didn't remember much about it and was glad I revisited this film. It's amazing!!! Amanda Plummer stole my heart and the entire cast does a tremendous job. A wonderfully imaginative film and perfect for Robin Williams.

Rebel Without A Cause - ***
Well made classic. It's easy to see it as formulaic now, but it's the "Citizen Kane" of the troubled teen drama.

East of Eden - ***1/2
I enjoyed this more than 'Rebel' as it really showed the potential James Dean had. Beautifully photographed and terrific direction by Elia Kazan. I'll probably revisit this film soon.

Real Steel - **1/2
The premise is pretty high-concept (life-size Rock'Em Sock'Em Robots in boxing matches controlled by humans) but Hugh Jackman brings a warmth to the film and nearly gets away with reminding me he's not Wolverine. Nearly.

Harry Potter and the Deathly Hallows, Part 2 - ***
I screened this and Part 1 after a marathon of 'Potter' films and I can't quite remember which is which. I know all the films were faithful adaptations to their novels, but by having director David Yates do the last four of the eight films, they tended to blend together. As much as the intention was consistency in vision, I miss the spark of originality which makes Alfonso Cuarón's 'Prisoner of Azkaban' stand out.

Green Lantern - *
I can't believe this was as awful as I'd heard it was. Wow. I will say that Mark Strong stood out as did a brunette Blake Lively but, likable and talented as Ryan Reynolds is, he's miscast here.

Kung Fu Panda 2 - ***
I know I liked it, but I've already forgotten most of this film which makes no sense. It happens when I watch four or five in a row.

Burn After Reading - ***
Classic Coen Brothers! Brad Pitt is ridiculously fantastic here. How did he get so much attention and nominations for "Moneyball" and so very few for this role? The entire cast does a great job and I really love Clooney in a Coen film.

Drive - ***
I was totally surprised at how much I liked this film. Great score, awesome performance by Ryan Gosling and cast. As much as I like Albert Brooks and appreciate his taking on this role, it didn't seem all that stand-out-ish. I know he's a good actor but the role was a bit stereotypical. The film is very 80's noir and has a feel all its own. If you're in the mood for something different, this is a great choice. Totally under appreciated.

Hook - **
I got sucked into this when I just wanted to take a peak at it in HD on Netflix. I remember being so disappointed upon initially seeing this upon its release. Williams tries too hard, Hoffman is so over the top he's nearly come round again. Charlie Korsmo is fine and John Williams's score is top-notch. Too bad the entire film isn't. My friend Rob penned the saying, "Everyone has their "Hook" which means that even great people fail miserably sometimes, particularly filmmaker's.

February

Pirates of the Caribbean: On Stranger Tides - **1/2
I know I watched this but can't seem to remember anything specific about it. Even after watching the trailer on YouTube, very little is recalled. Part of the downside of trying to review a film screened 9 months ago with no notes to go by. Maybe I'll revisit it during a hiatus and return to this review.

January

The Men Who Stare At Goats - **1/2
This held a lot of promise after I read the script but just didn't hold up on transition to the screen. I didn't think much of Ewan McGregor in this role. I think it needed a more cynical and dry interpretation (I pictured Jason Bateman when I read the script) and not so wide-eyed and innocent. Clooney looked like he was having fun and if Jeff Bridges would have had more screen time, I would have enjoyed this film more.